Categories: Reviews

K.I.J.E.

 

K.I.J.E. is tough and tight and for the first time (I think ever), I am going to say, too short. 

Presented by: Tamarama Rock Surfers and Crow Crow Productions 
Venue: Old Fitzroy Hotel, Woolloomooloo

Wednesday, 13 July, 2011 

K.I.J.E. is tough and tight and for the first time (I think ever), I am going to say, too short. In my opinion, a short show is a good show and after sitting through the trending hour upon hour epics that theatre seemed to be heading toward in Australia, this reversal to short and sharp is refreshing. However with K.I.J.E. I was left wanting more, it felt a little bit like the entrée to a main meal.
The story revolves around a throw away little white lie that snowballs to a point where the instigators must kill their own creation in order to survive. A group of four army buddies (Fayssal Bazzi, Wade Briggs, Gabriel Fancourt and TJ Power) are caught with a can of spray paint and awkwardly create a fall guy to take the blame. The only problem with lies is they have to be followed through on and their commanding officer (Christopher Tomkinson) grins while watching them trying to prove their fib.  The strength of the piece is it’s ability to play with humour and tension at the same time but this is also its weakness. The script, performances and direction are all strong but keep hitting their marks and then dissolving, leaving that hungry feeling again. The story uses army-in-the-dead-of-war to highlight the themes of truth and honour but just as the tension escalates and it feels like there will be a payoff it ends and the humour returns. It sometimes feels like there isn’t too much at stake. 
The introduction of the character simply credited as Girl (Michele Durman) is when the tension and pace begin to run like a freight train. Each character separates from ‘generic army guy’ and each differing reaction brings the audience to the edge of their seat and the desire to resolve the situation.
The set, costumes, music and sound, performance style and direction are all pared back and beautifully stylised which works well with the script and the original story along with the horrors of war and how they can start from an innocent fib is intriguing and timely. If only it were about thirty minutes longer, for at least a two-course meal.  Runs from July 8 – 30, 2011 Book tickets HERE  K.I.J.E. was is written by Joanna Erskine 

Anne-Marie Peard

Anne-Marie spent many years working with amazing artists at arts festivals all over Australia. She's been a freelance arts writer for the last 10 years and teaches journalism at Monash University.

Share
Published by
Anne-Marie Peard

Recent Posts

HEATED RIVALRY parody producers report recoupment as run extends to January 2027

Producers say HEATED RIVALRY: THE UNAUTHORIZED MUSICAL PARODY has recouped its approximately US$500,000 Off-Broadway capitalisation…

23 hours ago

Broadway’s &JULIET sets final performance for January 2027

Broadway's & JULIET will play its final performance at the Stephen Sondheim Theatre on 3…

23 hours ago

Gate Theatre to cease operations after 47 years

London’s Gate Theatre will cease operations at the end of October 2026 after 47 years,…

2 days ago

Arts Centre Melbourne to present landmark visual opera OPERATION:ORFEO

Arts Centre Melbourne today announced that OPERATION:ORFEO, a hypnotic depiction of the myth of Orpheus…

2 days ago

ROHTKO, Operation:Orfeo and The Avalanches announced as first events for Perth Festival 2027

Perth Festival today revealed that its 2027 program will open with the Australian exclusive season…

2 days ago

MJ THE MICHAEL JACKSON MUSICAL to play in Singapore from August 2027

Original Broadway Producers Lia Vollack and John Branca, alongside Michael Cassel and Base Entertainment Asia,…

2 days ago