Categories: Reviews

Fractured – Blue Room Theatre Perth

The Blue Room in Perth gives voice to emerging creative talent and allows independent theatre artists to get their work seen. Lucy Clements is using the space to her advantage and makes an impressive debut as a playwright with Fracture, a short play that showcases her burgeoning skill for dissecting the human condition. Directed by the multifaceted and much-acclaimed Joe Lui, Fracture dramatises the undoing of relationships and soundness of mind when tragedy strikes and grief overwhelms.

Image – Cameron Etchells

A brilliantly devised set in a confined space (designed by Patrick Howe) allows the audience to intimately share the lives of four characters from two sides. The lead male character Charlie, played by Paul Grabovac is already on set asleep on a couch when the audience enters the room and it clear from the opening moments that all is not well with him as he jolts awake from a bad dream. These nightmares recur throughout the play and clearly relate to a tragic past event. Roommates Clara and Tommy comfort and cajole Charlie in turn in an attempt to support him and help him to cope. The arrival of Charlie’s ex-lover, Grace is the catalyst for heightened turmoil and a painful examination of the truth.

Paul Grabovac is a fine actor but he is not stretched to his full creative capacity in this part. He nonetheless puts in a solid performance as the central figure, exuding raw emotion and a palpable sadness that finds empathy with the audience. Mikala Westall who plays roommate Clara has a wonderfully natural acting style that makes her very watchable and authentic. There is real stage chemistry between Charlie and Clara. Not so with Charlie and Grace, even though the closeness of their relationship is central to the story. It is perhaps difficult for a young artist to exude the depth of emotions required for the play’s dark themes and Salacia Briggs, who plays Grace, lacks the necessary passion and raw energy to adequately portray the agony. James Marzec is credible as Tommy’s loveable larrikin character although the role could create more of a juxtaposition to Charlie’s sensitivity if played in a more macho style.

Fracture is a well-paced and emotionally suspenseful piece that slowly insinuates to an unpredictable conclusion. It is a brilliant start for a promising young theatre maker.

It runs every night at 7.00pm until Saturday 27 June with an additional matinee performance on the last day. Contact www.theblueroom.org.au to book.

 

Craig Dalglish

Recent Posts

HEATED RIVALRY parody producers report recoupment as run extends to January 2027

Producers say HEATED RIVALRY: THE UNAUTHORIZED MUSICAL PARODY has recouped its approximately US$500,000 Off-Broadway capitalisation…

22 hours ago

Broadway’s &JULIET sets final performance for January 2027

Broadway's & JULIET will play its final performance at the Stephen Sondheim Theatre on 3…

22 hours ago

Gate Theatre to cease operations after 47 years

London’s Gate Theatre will cease operations at the end of October 2026 after 47 years,…

2 days ago

Arts Centre Melbourne to present landmark visual opera OPERATION:ORFEO

Arts Centre Melbourne today announced that OPERATION:ORFEO, a hypnotic depiction of the myth of Orpheus…

2 days ago

ROHTKO, Operation:Orfeo and The Avalanches announced as first events for Perth Festival 2027

Perth Festival today revealed that its 2027 program will open with the Australian exclusive season…

2 days ago

MJ THE MICHAEL JACKSON MUSICAL to play in Singapore from August 2027

Original Broadway Producers Lia Vollack and John Branca, alongside Michael Cassel and Base Entertainment Asia,…

2 days ago