Categories: Reviews

Dolores — Old Fitzroy Theatre

Dolores at The Old Fitz Theatre is the most fulfilling 45 minutes of theatre you can get in Sydney right now. Edward Allan Baker’s script and Red Line Productions’ premiere offering is so tantalizing and so well book-ended that one act is enough. There’s no need for a three-hour theatre outing; you’re completely fulfilled with three quarters of an hour.

When a beaten woman lands on the doorstep of her sister’s house, neither want to fully acknowledge the engulfing pain domestic violence has caused in both their lives. The emotional and physical dilapidation of two beautiful souls is difficult but important to watch. How can their husbands be so cruel? Why is domestic violence still so prevalent in society? Baker’s play is set in Rhode Island 1984 but it may as well be a case study of Darlinghurst 2015.

Kate Box and Janine Watson in Dolores. Photo by Rupert Reid.

What makes this project sing is the cast. From the moment Kate Box’s Dolores enters the stage there is an authenticity about her – you can’t take your eyes off her for the rest of the show. She’s so easy to watch because her character is alive and breathing every moment – there isn’t a moment she drops the ball. Box is a brilliant, detailed, electrifying actress.

Janine Watson’s Sandra does well, too, particularly in the opening moments of the play where she indulges in a cigarette, Coke and a bit of Dusty Springfield.

Kate Box in Dolores. Photo by Rupert Reid

Orphans‘ set and lighting plot is perfect atmosphere for Dolores (the Late Night Show offering, starting at 9:45pm directly after Orphans which starts at 7:30pm).

The direction (not credited – and a mish mash of multiple sources) is defined and meaningful – particularly seen in the cleverness of props to constantly give characters ‘doings’ rather than sitting around a table talking at each other.

Nothing but high praise for Dolores at The Old Fitz – a thoughtful, pacey and well-crafted script, captivating performances by Box and Watson, and clear, direct and poignant creative production. Highly recommended.

Maryann Wright

Maryann Wright is a performer and writer. She has a Diploma of Musical Theatre from Brent Street and a Bachelor of Arts (Media and Communications) from The University of Sydney. Recent performance credits include Heart of a Dog (Australian premiere), Carrie (Squabbalogic) and Urinetown (Brent Street). She is currently shooting new Australian pilot TV show Subject To Change playing Karly.

Recent Posts

HEATED RIVALRY parody producers report recoupment as run extends to January 2027

Producers say HEATED RIVALRY: THE UNAUTHORIZED MUSICAL PARODY has recouped its approximately US$500,000 Off-Broadway capitalisation…

23 hours ago

Broadway’s &JULIET sets final performance for January 2027

Broadway's & JULIET will play its final performance at the Stephen Sondheim Theatre on 3…

23 hours ago

Gate Theatre to cease operations after 47 years

London’s Gate Theatre will cease operations at the end of October 2026 after 47 years,…

2 days ago

Arts Centre Melbourne to present landmark visual opera OPERATION:ORFEO

Arts Centre Melbourne today announced that OPERATION:ORFEO, a hypnotic depiction of the myth of Orpheus…

2 days ago

ROHTKO, Operation:Orfeo and The Avalanches announced as first events for Perth Festival 2027

Perth Festival today revealed that its 2027 program will open with the Australian exclusive season…

2 days ago

MJ THE MICHAEL JACKSON MUSICAL to play in Singapore from August 2027

Original Broadway Producers Lia Vollack and John Branca, alongside Michael Cassel and Base Entertainment Asia,…

2 days ago