Categories: Reviews

Dispatch (2nd Review)

 ‘To sleep: perchance to dream: ay, there’s the rub.’  Freud, Jung and countless others have tried, but that old playwright still said it best.  Storytellers feed on dreams. 

 Barking Spider Visual Theatre?fortyfive downstairs ?Sunday 7 February 2010
‘To sleep: perchance to dream: ay, there’s the rub.’  Freud, Jung and countless others have tried, but that old playwright still said it best.  Storytellers feed on dreams.
Shakespeare knew Hamlet welcomed and feared the state where our unconscious makes us feel what we most fear or most desire, while our logical consciousness tries to break through and make us feel safe. Dreams may be gone when we wake, but their pure emotion stays with us long after we’ve tried to make sense of them and the memory has faded.
‘Dream’ sequences abound in our published and filmed stories, but they rarely feel right; there’s too much logic and they make far too much sense. For all our analysis and dream interpretation, the horror and comfort of our dreams fails to fall into the step by step progression of our waking lives. But storytellers still love dreams. The world of Barking Spider’s Dispatch is heightened and secret, hidden and intimate. It seems to make sense, even if logic and sense insist that it shouldn’t. A blue silk sea drowns and protects, a cradle of bones sooths, the suitcases of the lost reveal hope, a child near death creates a new world to resists the influence of her gods, her protectors, her demons and her puppeteers. 
The meeting of puppet and controller/creator is fraught with clashes of logic, but in the Dispatch dreamscape, it makes complete sense and the meeting of tiny Sorrel and the giant Mama Brigitte and Gheda is both heartbreaking and beautiful, as they gently offer comfort and peace, as well as the secrets and pain of death.
Penelope Bartlau openly used her own dreams and the memories of her near death experiences as a child to create Dispatch. Her work continues to create delicate, intricate worlds where puppets reach our hearts and remind us what the great psychoanalysers, dream interpreters and bards keep trying to tell us – that we may all be connected by a world within our being that is forever out of our control.
Sleep tight. Season Closed 

Anne-Marie Peard

Anne-Marie spent many years working with amazing artists at arts festivals all over Australia. She's been a freelance arts writer for the last 10 years and teaches journalism at Monash University.

Share
Published by
Anne-Marie Peard

Recent Posts

HEATED RIVALRY parody producers report recoupment as run extends to January 2027

Producers say HEATED RIVALRY: THE UNAUTHORIZED MUSICAL PARODY has recouped its approximately US$500,000 Off-Broadway capitalisation…

1 day ago

Broadway’s &JULIET sets final performance for January 2027

Broadway's & JULIET will play its final performance at the Stephen Sondheim Theatre on 3…

1 day ago

Gate Theatre to cease operations after 47 years

London’s Gate Theatre will cease operations at the end of October 2026 after 47 years,…

2 days ago

Arts Centre Melbourne to present landmark visual opera OPERATION:ORFEO

Arts Centre Melbourne today announced that OPERATION:ORFEO, a hypnotic depiction of the myth of Orpheus…

3 days ago

ROHTKO, Operation:Orfeo and The Avalanches announced as first events for Perth Festival 2027

Perth Festival today revealed that its 2027 program will open with the Australian exclusive season…

3 days ago

MJ THE MICHAEL JACKSON MUSICAL to play in Singapore from August 2027

Original Broadway Producers Lia Vollack and John Branca, alongside Michael Cassel and Base Entertainment Asia,…

3 days ago