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Final week of performances of COME FROM AWAY in Sydney

Sydney, this is the FINAL week to experience the Tony and Olivier Award winning hit musical that has welcomed the world.  With 9 performances this week COME FROM AWAY must close Sunday 29 January.

The story at the musical’s heart draws inspiration from the real-life events that came in the wake of the 9/11 terrorist attacks in Washington and New York, which closed US airspace for the first time in history. It was then that 38 planes carrying almost 7,000 people from more than 100 countries were diverted to a tiny island, known to locals as “The Rock”. Now immortalized in this ground-breaking musical, the extraordinary experiences of the “come from aways”, and the unexpected outpouring of generosity and hospitality they received in Gander, Newfoundland, continues to inspire unity and hope among audiences throughout the world.

With book, music and lyrics by David Hein and Irene Sankoff, COME FROM AWAY is directed by Tony Award winner Christopher Ashley, choreographed by Olivier Award winner Kelly Devine(Rock of Ages, Diana), with music supervision by Ian Eisendrath (A Christmas Story, Diana), scenic design by Beowulf Boritt (Rock of Ages, Be More Chill) costume design by Toni-Leslie James (Jelly’s Last Jam), lighting design by Howell Binkley (Jersey Boys, Hamilton), sound design by Gareth Owen (Diana, A Bronx Tale)

Following this Sydney season COME FROM AWAY will tour to Newcastle, Adelaide, Perth and Canberra.


MUST CLOSE       Sunday 29 January
Venue:                    Theatre Royal Sydney
Address:                108 King St, Sydney

www.comefromaway.com.au

Gabi Bergman

Gabi Bergman (she/her) is a Melbourne-based performer and educator, and the current Deputy Editor-in-Chief of AussieTheatre.com. She holds a double degree in Theatre Studies and Film/Screen Studies, along with a Master of Teaching (Secondary Education). A passionate advocate for inclusion and diversity in the arts, Gabi brings her deep love of storytelling to the stage, the page, and the classroom. A lifelong lover of theatre, she spends more on tickets than she’d like to admit. Her most prized possession is her ever-growing collection of theatre programs.

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