Amanda Palmer announces special guests for Arts Centre Melbourne performance

Singer/Songwriter Amanda Palmer has announced special guests for her upcoming Arts Centre Melbourne performance with ARIA Award-winning musician Clare Bowditch and dancer/choreographer Boudicca Farquhar joining her on stage at Hamer Hall on 3 February 2024.

The announcement coincides with the release of her new EP on 12 January 2024, “New Zealand Survival Songs”, which was funded by the 10,000 patrons who support her unusual, fully crowdfunded career as a touring songwriter and recording artist. LISTEN to “New Zealand Survival Songs” here.

Palmer:

She planned to have a ‘good old catch-up’, reveal the stories behind the songs, yarn about her accidental Kiwi time in lockdown, and play a selection of old Dresden Dolls and solo favourites during her tour of the Antipodes.

She’ll also be sharing a selection of brand-new unreleased works from The Dresden Dolls forthcoming album – their first in fifteen years (release date TBD) – arranged for solo piano, in anticipation of the Dolls’ return to the southern hemisphere.

It is still shocking to me that I wound up living in New Zealand – unexpectedly – for over two years of my life, and that my young child was raised in a foreign country while Covid raged around the planet. I came to New Zealand at the end of a world tour and was supposed to be in the country for four show dates and eight days total.

I wound up living within the borders for two and half years. Sometimes I wake up in New York and find myself short of breath and cannot believe that this all happened. I wanted to come back for a short tour – not only because I’m homesick for my Kiwi friends, but because I’d like to share the music – the handful of songs – that emerged from this unbelievably strange period of my life.

Usually a prolific songwriter, this period spent during lockdown and pandemic-times was anything but prolific admitted Palmer:

I was a solo mother for much of the stay, and most of my days were spent simply scared and disoriented, figuring out how to navigate normal Kiwi life, and trying to figure out my – and my son’s – place in the world. I spent much of the day, every day, wondering when we would go home. It took a very long time to accept what was happening, and there was almost no time for reflection or music-making.

I did, in the end, wind up writing about four songs in total over those few years, and they were mostly songs of catharsis and abject survival.

One of these, “The Man Who Ate Too Much”, was written right after the first lockdown and inspired by the kindness of Kiwi strangers, my horror at Donald Trump, my collapsed marriage, and the local landscape. I’d been gazing at the outline Te Mata peak in Hawke’s Bay, and the lyrics draw on the Maori Myth of the Tanifa who tried to eat through the mountain and choked to death”.

The Ballad of The New York Times” was written on Waiheke to try to describe my desperate relationship with the isolation of motherhood and doom-scrolling. “Whakenewha” is a howl of emotion inspired by the beautiful and haunting preserve of the same name on Waiheke, and “Little Island” is my complicated and heartfelt love letter to New Zealand and to the people who held and took care of me, as well as a pondering about our collectively difficult relationships with the past, and what “home” really means,” she said.

Amanda Palmer will also be touring New Zealand from 21 January and then performing at the Sydney Recital Hall on 1 February ahead of her Arts Centre Melbourne performance.

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Season Details

Venue: Hamer Hal
Date: 03 Feb 2024

For more information click Here