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Ilario Grant to return to Broadway as principal MJ

Ilario Grant will return to Broadway as the principal performer credited as MJ in MJ at the Neil Simon Theatre on Tuesday, 15 September 2026, following his title-role work in Australia. Producers Lia Vollack and John Branca announced the appointment on 18 August. Matte Martinez is scheduled to play his final performance as MJ on Sunday, 13 September, setting up a changeover that brings Grant back to the company where he made his Broadway debut.

That debut came in 2023, when Grant joined MJ as a standby for both MJ and Michael. The production assigns those as separate role credits. His former capacity required him to stand by for either part, whereas his September return is specifically as the principal MJ. The distinction makes the appointment a change in status as well as a New York homecoming, and prevents it being mistaken for either a Broadway debut or a resumption of his earlier standby duties. The notice does not appoint him as principal Michael or assign both parts to him.

After his initial Broadway engagement, Grant moved into the title role in Australia. He played MJ there and opened the musical’s Melbourne, Perth and Brisbane engagements. That sequence gives the new Broadway appointment its Australian relevance: the performer who first joined the New York company covering two roles went on to carry the principal MJ credit in three Australian cities and will now take that experience back to the Neil Simon Theatre. His Australian work represents an intervening principal assignment, rather than a continuation of his Broadway standby listing.

AussieTheatre previously covered Grant’s appointment to lead the Melbourne production. That earlier story concerned his Australian casting, while the 2026 announcement establishes a distinct development: his succession to Broadway’s title role. For readers who followed the Australian production, the new fact is not simply that Grant played MJ locally, but that this chapter now precedes his appointment as Broadway’s principal MJ. The producers have not supplied a final Australian performance date or a detailed timetable for his transition to New York.

Available information also does not settle the full chronology or role capacity of Grant’s reported Sydney appearances, so Sydney is not included among the three confirmed engagements he opened. The Broadway announcement specifically identifies Melbourne, Perth and Brisbane. Keeping that distinction intact avoids extending the Australian chronology beyond what the reviewed material establishes.

Director and choreographer Christopher Wheeldon framed the appointment as part of Grant’s development within MJ. In the producers’ announcement, Wheeldon welcomed him back to New York and connected the decision to his progression through the company and his principal performances in Australia. His account places the Australian chapter within Grant’s longer association with the production. No new comment from Grant accompanied the announcement, making Wheeldon’s assessment the principal creative-team perspective on the change.

The production Grant is rejoining is structured around preparations for Michael Jackson’s 1992 Dangerous World Tour. MJ has a book by Lynn Nottage and is directed and choreographed by Wheeldon. Those creative credits and the tour framework provide the established Broadway context for the casting change. Grant is returning to the continuing Neil Simon Theatre production rather than joining a newly announced staging.

Broadway performances began in December 2021, and MJ officially opened at the Neil Simon Theatre on 1 February 2022. The production won four Tony Awards in 2022. Grant’s first engagement followed in 2023, before his principal performances in Australia. The chronology separates the production’s opening and awards history from his own progression within it, which now extends across two Broadway engagements and the three confirmed Australian openings.

The casting change comes as the producers report a substantial Broadway and international audience. According to figures issued with the 18 August announcement, MJ had played to more than two million Broadway patrons and more than seven million patrons globally. The producers also said the musical had broken the Neil Simon Theatre box-office record 11 times by that date. The venue record applies to the same theatre to which Grant is returning, while the audience totals describe the production’s reach as reported by its producers.

Beyond New York, the announcement said MJ was playing in Hamburg and preparing for tours in Asia and the United Kingdom. The wording distinguishes current and forthcoming activity: Hamburg was already playing, while the Asian and UK tours were in preparation. That wider activity places the Broadway transition within an international production footprint without changing the scope of the casting news, which concerns Grant’s appointment at the Neil Simon Theatre.

Official Broadway tickets remain available through the production’s website and the Neil Simon Theatre box office. The announcement confirms Martinez’s departure and Grant’s first performance, but a complete company list effective from 15 September has not been separately confirmed. The producers have also not said whether Grant’s principal engagement is open-ended or for a fixed term. His first night is set, but the duration of his Broadway return remains unannounced.

James Kennedy

James is an arts journalist with a passion for all things musical theatre. James has been covering the world of theatre for over a decade, and his work has been featured in some of the most respected publications in the industry. He has a particular interest in the intersection of music, dance and storytelling, and is always on the lookout for new and innovative productions that push the boundaries of the form. James's background in music and performance has given him a unique perspective on the world of musical theatre. He understands the complexities of creating a successful production and can spot the talents of a rising star from a mile away. He is well-respected by his peers for his sharp writing and insightful analysis, and is known for his ability to bring the world of theatre to life for his readers. James is also an active member of the theatre community. He regularly participates in panel discussions and events. When he's not covering the latest shows, he can be found on the stage himself, performing in community productions.

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