International

Broadway’s Actor’s Equity Association broadens membership criteria

Loosening the rules and criteria surrounding eligibility for membership, The Actor’s Equity Association has changed its membership programme to allow freer entry of theatrical actors and stage managers into the Association.

Titled ‘Open Access’ the waive of previous regulations now allows any actor or stage manager, who can prove that they have indeed been professionally employed within theatres under the Association’s jurisdiction, to become a member for an eligibility period of two years effective immediately.

Working towards the goal of becoming a more equitable organization, these changes prove to be a turnaround from the past methods of gaining a membership to the Association. In the past, the only avenues available for membership for any theatre worker was employment by an Equity employer, gaining membership through a sibling union or earning points via the Equity Membership Candidate Programme.

Kate Shindle, the president of the Actor’s Equity Association stated that;

“The old system had a significant flaw: It made employers the gatekeepers of Equity membership, with almost no other pathways to joining. The entertainment industry is disproportionately white, including and especially theatrical leadership. The union has inadvertently contributed to the systemic exclusion of BIPOC artists and others with marginalized identities by maintaining a system in which being hired to work those contracts was a prerequisite of membership. We hope that artists from all backgrounds will join us in building a union that uplifts the entire theatre community, especially those who have not felt included or welcome in the past.”

Moreover, the eligibility restrictions for international and stage managers have been loosened as well, along with the possibility of former members rejoining the Association without having to renew their contracts.

Re-examining its own system, workings and methods of conducting affairs into the future, the Actor’s Equity Association’s new legislation is the first step towards diversifying and promoting total equality within the Association.

Sarah Johnson

I am Sarah Johnson, a graduate of international commerce, accounting, and law from the London School of Economics (LSE). Specialising in corporate and insolvency law, I began my career in the United States before relocating to Sydney. Outside of my legal practice, I have a deep appreciation for the arts, particularly theatre and musical theatre, and I have contributed as a freelance writer to several publications.

Recent Posts

HEATED RIVALRY parody producers report recoupment as run extends to January 2027

Producers say HEATED RIVALRY: THE UNAUTHORIZED MUSICAL PARODY has recouped its approximately US$500,000 Off-Broadway capitalisation…

1 day ago

Broadway’s &JULIET sets final performance for January 2027

Broadway's & JULIET will play its final performance at the Stephen Sondheim Theatre on 3…

1 day ago

Gate Theatre to cease operations after 47 years

London’s Gate Theatre will cease operations at the end of October 2026 after 47 years,…

2 days ago

Arts Centre Melbourne to present landmark visual opera OPERATION:ORFEO

Arts Centre Melbourne today announced that OPERATION:ORFEO, a hypnotic depiction of the myth of Orpheus…

2 days ago

ROHTKO, Operation:Orfeo and The Avalanches announced as first events for Perth Festival 2027

Perth Festival today revealed that its 2027 program will open with the Australian exclusive season…

2 days ago

MJ THE MICHAEL JACKSON MUSICAL to play in Singapore from August 2027

Original Broadway Producers Lia Vollack and John Branca, alongside Michael Cassel and Base Entertainment Asia,…

2 days ago