In all its postmodern (or is that post-post?) glory, The Defence is a show about the cultural objectification of women,…
The '70s and '80s may not be the pinnacle of pop music, but much of its legacy still has some…
Written by MKA's Tobias Manderson-Galvin, Thank You, Thank You Love is a collection of five short plays that have a chaotic…
The Adelaide Cabaret Festival has showcased the diversity of the cabaret genre with Scott Evan Davis’ song cycle, Picture Perfect.…
See Grounded for Kate Cole's performance or for the writing or to be reminded how theatre can creep into your heart with…
A brilliant musical duo requires an unspoken understanding and a perfect balance between artists. When it comes to the music,…
Hilary Cole is the newest star in the Sydney musical theatre scene, and she certainly burns the brightest. She made…
Christopher Durang's Why Torture is Wrong, and the People Who Love Them is highly asburd comic paranoia; a response to…
Performed in the enormous space of The Substation in Newport, Swamp Juice is a shadow puppetry show assembled from the…
A technically brilliant satire on the American political machine, The Speechmaker drips with the larrikinish Aussie wit we would expect…