Reviews

MICF: Reuben Kaye, Plugged!

Reuben Kaye, self-defined cabaret megastar, graces the Butterfly Club’s ‘upstairs basement’ with tender recollections of his creative and spiritual edification,…

10 years ago

MICF: Lauren Bok, Sam Marzden and Bert Goldsmith Radio Variety Hour

Radio Variety Hour is a delightful and witty homage to the classic 1950s radio play. Packed with a wide array…

10 years ago

MICF: Rose Callaghan, Rose Before Hoes

Honest, likeable and delightful crass, Rose Callaghan’s first solo show explores what it’s like to be a single 30-something woman…

10 years ago

Concerto for Harmony and Presto

Harmony (Liz Skitch) loves to sing and dance. Her family has fallen upon hard times, but instead of selling their…

10 years ago

MICF: Rama Nicholas, Mary Weather’s Monsters

It's 1890s London and Mary Weather continues to try to balance protecting the city from monsters, missing her sister, and…

10 years ago

When One Door Closes

What happens when you mash-up extreme acrobatic theatre with the three great heroines of twentieth century drama: Miss Julie, Hedda…

10 years ago

A Slight Ache & The Lover

First performed in 1963, Harold Pinter’s The Lover is a superbly clever play with a fast paced wit that easily entertains…

10 years ago

The Sound of Music – Brisbane season

The London Palladium production of Rogers and Hammerstein’s classical musical with its beloved songs (‘Do-Re-Mi’, ‘Climb Ev’ry Mountain’, ‘Edelweiss’) is…

10 years ago

Review: The Original Grease – Squabbalogic

What happened to Squabbalogic? The staunchly independent boutique musical theatre company used to feel vital, maybe even radical. Led by…

10 years ago

MICF: Velvet

A delightfully dorky musician (Brendan Maclean) unwittingly stumbles into a dazzling, golden orgy of bass and sequins (director Craig Ilott’s…

10 years ago