Cowboy Mouth, in a meagre 45 minutes, attempts to deal with hefty concepts innate to the human experience. Focused on…
In the preface to my copy, it says The School for Scandal is “often considered the apex of English comedy”.…
It started with a dog, in a perspex case, alone on stage. It ended with an elderly ‘Dorothy’ (Eileen Kramer)…
In his monologue The Fever, Wallace Shawn reaches out to his own peers with his idea that their very existence…
“Love me, love my Holden. I laid that on the line to the missus before we were spliced.” Perhaps a lost…
Iago is Western Edge Youth Arts quintessentially Melbournian adaptation of Shakespeare’s Othello. The short run currently at the Malthouse is…
post’s Oedipus Schmoedipus opens to a pristine white stage and backdrop. Enter Zoë Coombs Marr and Mish Grigor, angelic in…
Dogfight, with a book by Peter Duchan and music and lyrics by Benj Pasek and Justin Paul, premiered off-Broadway in 2012. Now…
Samson was developed by emerging playwright Julia Rose-Lewis during her Artist-in-Residence at La Boite in 2013 and is currently in…
As You Like It is Bell Shakespeare’s first offering this year and has already been through Sydney and Canberra on…