Reviews

MICF: Reuben Kaye, Plugged!

Reuben Kaye, self-defined cabaret megastar, graces the Butterfly Club’s ‘upstairs basement’ with tender recollections of his creative and spiritual edification,…

9 years ago

MICF: Lauren Bok, Sam Marzden and Bert Goldsmith Radio Variety Hour

Radio Variety Hour is a delightful and witty homage to the classic 1950s radio play. Packed with a wide array…

9 years ago

MICF: Rose Callaghan, Rose Before Hoes

Honest, likeable and delightful crass, Rose Callaghan’s first solo show explores what it’s like to be a single 30-something woman…

9 years ago

Concerto for Harmony and Presto

Harmony (Liz Skitch) loves to sing and dance. Her family has fallen upon hard times, but instead of selling their…

9 years ago

MICF: Rama Nicholas, Mary Weather’s Monsters

It's 1890s London and Mary Weather continues to try to balance protecting the city from monsters, missing her sister, and…

9 years ago

When One Door Closes

What happens when you mash-up extreme acrobatic theatre with the three great heroines of twentieth century drama: Miss Julie, Hedda…

9 years ago

A Slight Ache & The Lover

First performed in 1963, Harold Pinter’s The Lover is a superbly clever play with a fast paced wit that easily entertains…

9 years ago

The Sound of Music – Brisbane season

The London Palladium production of Rogers and Hammerstein’s classical musical with its beloved songs (‘Do-Re-Mi’, ‘Climb Ev’ry Mountain’, ‘Edelweiss’) is…

9 years ago

Review: The Original Grease – Squabbalogic

What happened to Squabbalogic? The staunchly independent boutique musical theatre company used to feel vital, maybe even radical. Led by…

9 years ago

MICF: Velvet

A delightfully dorky musician (Brendan Maclean) unwittingly stumbles into a dazzling, golden orgy of bass and sequins (director Craig Ilott’s…

9 years ago