Paul Dellit OAM Discusses the 2025 MATILDA AWARDS
In 2025, Queensland theatre did not simply hold its ground, it surged forward. Across mainstages, black box spaces, community halls
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Features
Maxwell Simon on REBEL: A New Musical, Rock and Roll, Queer Truth, and Riding the “Wild Track” as Davey
Maxwell Simon does not talk about REBEL: A New Musical as if it is a neat package, sealed, labelled, and
Read MoreBecoming Billy, Lucas Johnson on Discipline, Dreaming, and Finding His Voice
At the heart of BILLY ELLIOT THE MUSICAL is a young person learning how to listen to his instincts in
Read MoreKITTY LITTER, A Puzzle of Intention and Chaos
Break ups, break downs, stolen cats, revenge. KITTY LITTER does not waste time pretending its characters have it together. It
Read MoreCameron Grant Presents AUSTRALIAN THEATRES UNVEILED
Before the lights come up and before the first image is consciously examined, AUSTRALIAN THEATRES UNVEILED invites audiences to feel
Read MoreDo We Really Hear the People Sing? The Theatre Industry and the Politics of Performance
There is something faintly surreal about sitting in a theatre watching performers sing about resistance and moral reckoning, while outside
Read MoreNigel Huckle returns to Australia for Sondheim’s PUTTING IT TOGETHER
True to its name, Putting It Together is a collection of Stephen Sondheim’s greatest music presented by a cohort of Australia’s
Read MoreFestive, Filthy, and Fearless: Anthony Craig on A VERY NAUGHTY CHRISTMAS
There’s nothing saintly about Brisbane’s favourite festive tradition, and that’s exactly why audiences keep coming back. A Very Naughty Christmas
Read MoreEXXY and the Hidden Cost of Being Exceptional for Dan Daw
In EXXY, Dan Daw turns the cost of excellence into both a spectacle and a reckoning, exposing the hidden exertions
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