A One-Woman Revolution with the Audience as Co-Conspirators
Australia’s undisputed Queen of Burlesque is back, and she is inviting audiences to do far more than watch. Imogen Kelly,
Read MoreAustralia’s undisputed Queen of Burlesque is back, and she is inviting audiences to do far more than watch. Imogen Kelly,
Read MoreIn EXXY, Dan Daw turns the cost of excellence into both a spectacle and a reckoning, exposing the hidden exertions
Read MoreUrsula Yovich has never been an artist who slips quietly into another person’s voice. When she steps into the world
Read MoreGrief often begins in silence, in the private rooms where language falters and the world feels suddenly unfamiliar. For Natalie
Read MoreIn MAMA DOES DERBY, the crackle of roller skates meets the emotional charge of a mother and daughter rebuilding their
Read MoreFew Christmas films have earned the level of affection that HOME ALONE continues to inspire, and at the heart of
Read MoreIt’s been hailed as a masterclass in theatrical sleight of hand: four actors, around 130 characters, and a runaway spy
Read MoreBATSHIT is Leah Shelton‘s darkly funny exorcism of control, surveillance, and the word crazy. If you removed every line of
Read MoreBefore the sequins and stadium chorus, there was a teenager at the Darwin Amphitheatre in 1993, eyes wide as Tina
Read More