Reading the promo material from Understudy Productions, I quickly get the impression that A Very Naughty Christmas is a raunchy…
In a time where conformity is expected and otherness is denied the right to thrive, Mama Alto is a figure…
Queenie van de Zandt needs no introduction. A powerhouse of the Australian industry she has recently been touring the country…
Written and performed by Matthew Dear (graduate from the 2016 Griffith Conservatorium of Music’s Musical Theatre programme), Matt-aphorically Speaking is…
Adelaide Cabaret Festival artistic directors, Ali McGregor and Eddie Perfect, have put together an exceptional program this year. Thankfully, they…
Amanda Harrison is beloved by audiences for her massive contribution to the Australian theatre industry throughout her career, originating some…
With South Australian audiences already enthralled by the magical storytelling of the great Roald Dahl (thanks to Matilda the Musical…
World premiers are great: the excitement and anticipation is palpable, the nervous energy heightens the performance and, when the subject…
With a Tony and an Olivier Award in the cabinet, Alan Cumming has scaled the heights of musical and theatrical…