Categories: Reviews

Tooth and Nail


The next time I think there’s no more room in my brain for a spectacular thought, I’m going to remember that The Candy Butchers found room in La Mama for a double trapeze and a tissue routine.

The Candy ButchersLa Mama
Friday 12 March 2010
The next time I think there’s no more room in my brain for a spectacular thought, I’m going to remember that The Candy Butchers found room in La Mama for a double trapeze and a tissue routine.
Azaria Universe and Jess Love were a fingernail’s length away from bruises, but their aerial work is still as awesome as flown in big tops. 
In Tooth and Nail, The Candy Butchers join Finucane and Smith’s delectable Salon de Dance and droolable Feast of Argentina Gina Catalina to make a March visit to La Mama even more scrumptious, outrageous and unnerving.
The Candy Butchers recreate old-time circus, but never forget that circuses were once the only place that freaks could feel at home. This is circus for grown ups with the kind of clowning that make us understand why some youngsters are were terrified of clowns.
While not as bloody as Love’s recent The Little One Said (soon at Melbourne’s Comedy Festival), Tooth and Nail continues the Butcher’s slightly macabre and look at what goes wrong in circus.
Azaria and Jess bicker over the routines that Azaria can’t get right, but Azaria gets a pair of Jess’s tights for her collection and Jess unwittingly exposes herself every time she walks through a door. And Derek Ives…I’m not sure what Derek was up to, but he supplied title’s tooth gag (and rigged the room so the girls could fly).
For all its absurd weirdness, acrobatic wonderfulness and satirical hilarity, Tooth and Nail could do with an extra hammer bang to fix the wobbly narrative. The final scenes are gorgeous because they are so oddly disconnected from the rest of the show, but the nature of an audience is to try to make connections with what has gone before and look for story patterns that may or may not exist.
But narrative consistency is about as important as the pips in a toffee apple. Tooth and Nail is nostalgic, juicy and a perfect combination of teeth rotting bad and keep-the-doctor-away good. So leave any expectations at home and take a jaw breaking bite.  Bookings: www.lamama.com.au Until 28 March 2010 

Anne-Marie Peard

Anne-Marie spent many years working with amazing artists at arts festivals all over Australia. She's been a freelance arts writer for the last 10 years and teaches journalism at Monash University.

Share
Published by
Anne-Marie Peard

Recent Posts

Sting To Star In THE LAST SHIP At Theatre Royal Drury Lane

Music icon Sting will return to the stage in a newly adapted production of his…

2 days ago

Broadway’s Biggest Night: What To Watch For At The Tony Awards

Broadway’s biggest night is fast approaching, with the Tony Awards set to celebrate another busy…

2 days ago

TO KILL A MOCKINGBIRDHARPER Opens at The Genesian Theatre

The Genesian Theatre Company is proud to present a moving new production of Harper Lee’s…

2 days ago

The Songs Of John Farnham: A Living Legend The Celebration Concert

Minister for Sport and Major Events Steve Dimopoulos, together with producers Tony Cochrane AM and…

2 days ago

Lanterns Light Up Liverpool in Powerhouse Debut

Liverpool City Council’s much-loved celebration of Asian culture and cuisine, Lanterns and Lights, returns on…

2 days ago

The Australian Premiere of Tootsie Opens Tonight at Teatro

The Australian Premiere of the smash-hit Broadway musical Tootsie, officially opens at Teatro at the…

2 days ago