Categories: Reviews

Midsumma: Show Stopper, Reloaded 2015

Agent Cleave is a very sexy glam-punk-pirate/bondage-slave/film-noir-private-dick/femme-fatale/mermaid/Spanish-Jesus in Show Stopper, returned to Melbourne for a limited run at Howler, as part of Midsumma Festival.

Agent Cleave, Photo by Nik Dimopoulos

As the lights dim, an opening video montage of found footage of glam rockers, intermittently spliced with graphic visions of homosexual pornography plays over an empty stage. Set to an aural cacophony of wailing sirens and thrashing guitars, this opening sequence sets the pace for the evening: a shifting journey through fragmented vignettes of androgyny, punk rock and sex.

As a performer, Cleave is a delicious cocktail of antitheses, deftly treading the line between traditional notions of masculine and feminine, glamour and filth, submission and dominance – and all the while oozing sex appeal. This constant interplay of opposites generates some powerful energy and Cleave has no trouble filling the space and entrancing his baying audience as he shifts from swaggering sex pirate, to masochist lounge-singer, to freak-show mermaid.

Cleave, probably best known for his prowess as a burlesque performer, delivers a solid performance throughout; however, the fractured format of the show is problematic. With so many character and costume changes and with no cohesive narrative or conceptual through-line to unify it all, the show feels disjointed, and as it flits from vignette to vignette, it runs the risk of appearing self-indulgent or alienating audience members searching for a larger meaning.

With a voice course enough to clean blood off asphalt, Cleave commands quite an impressive vocal ability, despite a few ill-considered song choices that don’t quite fit his range. The band (Kieran John Brooks, Pete Barry and Jonny Badlove) provide solid backing, despite occasionally drowning out some of Cleave’s skilfully written monologue, which is a real shame.

Regardless of this, Cleave’s flawless, juggernaut charisma effortlessly carries the bulk of the show from song to song and character to character, and with the help of a few very cleverly utilised video sequences, it’s a solid evening’s entertainment.

Jack Beeby

Share
Published by
Jack Beeby

Recent Posts

Sting To Star In THE LAST SHIP At Theatre Royal Drury Lane

Music icon Sting will return to the stage in a newly adapted production of his…

2 days ago

Broadway’s Biggest Night: What To Watch For At The Tony Awards

Broadway’s biggest night is fast approaching, with the Tony Awards set to celebrate another busy…

2 days ago

TO KILL A MOCKINGBIRDHARPER Opens at The Genesian Theatre

The Genesian Theatre Company is proud to present a moving new production of Harper Lee’s…

2 days ago

The Songs Of John Farnham: A Living Legend The Celebration Concert

Minister for Sport and Major Events Steve Dimopoulos, together with producers Tony Cochrane AM and…

2 days ago

Lanterns Light Up Liverpool in Powerhouse Debut

Liverpool City Council’s much-loved celebration of Asian culture and cuisine, Lanterns and Lights, returns on…

2 days ago

The Australian Premiere of Tootsie Opens Tonight at Teatro

The Australian Premiere of the smash-hit Broadway musical Tootsie, officially opens at Teatro at the…

2 days ago