Black is the Colour - photo supplied
Catherine and Irene have been friends for a long time, but after Catherine’s experience of domestic violence, the two friends begin to drift apart.
Deafferent’s production of Black is the Colour by Daniel Keene focuses squarely on communication and how sometimes we don’t have the words to articulate our own experiences. The two lead actors, Anna Seymour and Hilary Fisher, are Deaf; the entire show is signed in Auslan (and surtitled for the hearing audience).
It’s a bold choice to use such a dialogue-heavy play as Deafferent’s first production. As a hearing person, I spent a lot of time reading those surtitles, but was occasionally swept up in the movement of the Auslan. Theatre is a physical medium and the lyrical signing is a sight to behold.
There is little lost in translation, though. Keene’s story of two friends becoming estranged is very moving. And there are moments when the physicality transcends the words; both the hearing and non-hearing audiences are left to interpret movement, without a word exchanged or anything more than a silent scream between the two women.
Producers say HEATED RIVALRY: THE UNAUTHORIZED MUSICAL PARODY has recouped its approximately US$500,000 Off-Broadway capitalisation…
Broadway's & JULIET will play its final performance at the Stephen Sondheim Theatre on 3…
London’s Gate Theatre will cease operations at the end of October 2026 after 47 years,…
Arts Centre Melbourne today announced that OPERATION:ORFEO, a hypnotic depiction of the myth of Orpheus…
Perth Festival today revealed that its 2027 program will open with the Australian exclusive season…
Original Broadway Producers Lia Vollack and John Branca, alongside Michael Cassel and Base Entertainment Asia,…