MAMMA MIA! - Alicia Gardiner, Natalie O'Donnell, Jayde Westaby and ensemble. Image by James Morgan.
The nominations for the 36th Green Room Awards, for work presented on Melbourne stages in 2018 have been announced.
Esther Hannaford has been nominated for Female Lead in Beautiful The Carole King Musical. Photo Nathan Johnson.
The Green Room Awards recognise outstanding achievements in productions from Cabaret, Contemporary and Experimental Performance, Dance, Independent Theatre, Music Theatre, Opera, and Theatre Companies. The awards acknowledge the contributions of the many diverse Artists and Technicians who create work in our local industry.
The big leaders in the Musical Theatre category were Beautiful: The Carol King Musical with 11 nomination, Mamma Mia! The Musical with 10 nominations and One Eyed Man’s Calamity Jane with 7. All were also recognised in the Best Musical category along with Bring It On and School of Rock.
The winners will be announced at a ceremony held at the Comedy Theatre on the 1st of April.
Congratulations to everyone who has been nominated.
2018 Green Room Award Nominees
CABARET
Artiste
Selina Jenkins – Thy Neighbour (Selina Jenkins)
Reuben Kaye – Reuben Kaye (Reuben Kaye)
Jude Perl – I Have A Face (Jude Perl)
Geraldine Quinn – Queen Bitch (Geraldine Quinn)
Ensemble
Baby Bi Bi Bi – Samantha Andrew, Annabel Larcombe, Erin Pattison (Flesh Coloured Panties Productions)
Creatures Of The Deep – Ryan Smith, Sean Sully, Jake Edgar, Chris Harris, Cat Sanzaro, Sarah Wall (Picked Last For Sport)
Double Denim – Michelle Brasier and Laura Frew (Hey Boss and Double Denim)
The Aspie Hour –Sophie Smyth and Ryan Smedley (Sophie Smyth and Ryan Smedley)
‘Tis The Season – Maverick Newman and Stacey Thomsett (Maverick Newman and Stacey Thomsett)
Writing
Anni & Maude Davey, Teresa Blake and Anna Lumb – Retro Futurismus – Brave World (Retro Futurismus)
Telia Neville – Untitled No. 7 (Telia Neville)
Kit Richards – Wool! A History of Australia’s Wool Industry: The Musical (Kit Richards)
Sophie Smyth and Ryan Smedley – The Aspie Hour (Sophie Smyth and Ryan Smedley)
Original Songs
Maverick Newman and Stacey Thomsett – ‘Tis The Season (Maverick Newman and Stacey Thomsett)
Jude Perl – I Have A Face (Jude Perl)
Geraldine Quinn – Queen Bitch (Geraldine Quinn)
Otto & Astrid Rot with Marius Müllbach – Rock Bang (Circus Oz in collaboration with Otto & Astrid)
Ryan Smith, Sean Sully and Sarah Wall – Creatures of The Deep (Picked Last For Sport)
Musical Direction
Casey Bennetto – Rock Bang (Circus Oz in collaboration with Otto & Astrid)
Geraldine Quinn – Queen Bitch (Geraldine Quinn)
Shanon Whitelock – Reuben Kaye (Reuben Kaye)
Production
Creatures Of The Deep (Picked Last For Sport)
I Have A Face – Jude Perl (Jude Perl)
Reuben Kaye – Reuben Kaye (Reuben Kaye)
Thy Neighbour – Selina Jenkins (Selina Jenkins)
CONTEMPORARY AND EXPERIMENTAL PERFORMANCE
Production
Crackers n Dip with Chase n Toey (Carly Sheppard & Josh Twee presented by Arts House)
This is Grayson (Gold Satino, the SUBSTATION and Melbourne Fringe)
Vanitas (Robert Walton and Jason Maling in association with Arts House)
The Director (Lara Thoms presented by Arts House)
Performance (by an Individual or Ensemble)
Sarah Houbolt – Koo Koo the Bird Girl (Darebin Arts Speakeasy)
Ensemble – Casting Off (A Good Catch)
Ensemble – Crackers n Dip with Chase n Toey (Carly Sheppard & Josh Twee presented by Arts House)
Scott Turnbull – The Director (Lara Thoms presented by Arts House)
Ensemble – This is Grayson (Gold Satino, the SUBSTATION and Melbourne Fringe)
Innovation in Site Responsive Performance
This is Grayson (Gold Satino, the SUBSTATION and Melbourne Fringe)
Vanitas (Robert Walton and Jason Maling in association with Arts House)
Carnival of Futures (one step at a time like this)
SK!N (TerryandTheCuz)
SEER (House of Vnholy)
Performance for Young Audiences
This is Grayson (Gold Satino, the SUBSTATION and Melbourne Fringe)
Jugg Life (Jugg Life Productions, Melba Spiegeltent and Circus Oz)
The Pilgrim (Bello Abril * Theatre of Coincidences)
Innovation in Curatorial Contribution & Programming
Blak Sonic Futures (Still Nomads)
XS (Melbourne Fringe Festival)
Ritual (Next Wave Festival)
Public Cooling House (Punctum presented by Arts House)
Sidesault (Circus Oz at the Melba Spiegeltent)
Innovation in Durational Performance
Landing (Tanya Lee)
SQUASH! (Meg Wilson)
ICON (Field Theory)
Endless Romantica (Field Theory)
Contemporary Sound Performance
Cruel Optimism – Lawrence English (The SUBSTATION and Room 40)
Love Songs – Thembe Soddell (The SUBSTATION and Room 40)
Polar Force – Speak Percussion (Speak Percussion)
TLSQ x ASMR – Letter String Quartet (The Letter String Quartet)
Circus Production
End Grain (Skye Gellman)
Casting Off (A Good Catch)
Hell is Other People (Love is the Drug, Melba Spiegeltent and Circus Oz)
Innovation in International Collaboration
SK!N (TerryandTheCuz)
Unknown Neighbors (Ranters Theatre and Creative VaQi (KR) presented by Theatre Works as part of the Festival of Live Art)
DANCE
Performer
Joel Bray – Dharawungara (Chunky Move)
Deanne Butterworth – Year’s Work
Janessa Duffy – ab (intra) (Sydney Dance Company)
Rebecca Jensen – Overture (Arts House and Jo Lloyd)
Jarryd Madden – Year’s Work (The Australian Ballet)
Caroline Meaden – Lady Example (Slown, Smallened and Son)
James Vu Ahn Pham – Nether (Chunky Move)
Tara Jade Samaya – Common Ground (Chunky Move)
Yumi Umiumare – ButohOUT! (Yumi Umiumare and Takashi Takiguchi in partnership with Abbotsford Convent)
Luigi Vescio – The Venusian Slip (Harrison Hall)
Duet or Ensemble Performance
ab (intra) (Sydney Dance Company)
Lady Example (Slown, Smallened and Son)
Overture (Arts House and Jo Lloyd)
Rainbow Vomit (Dancenorth)
Spartacus (The Australian Ballet)
Visual Design
Benjamin Cisterne (Lighting Design) – Spartacus (The Australian Ballet)
Jennifer Hector (Lighting and Set Design) – Overture (Arts House and Jo Lloyd)
Paul Jackson (Lighting Design) – Common Ground (Chunky Move)
Govin Ruben (Lighting and Set Design) – Rainbow Vomit (Dancenorth)
Ben ‘Bosco’ Shaw (Lighting Design) – Colossus (Arts Centre Melbourne, Melbourne Fringe and Stephanie Lake Company)
Music Composition and Sound Design
Emah Fox (Sound Design) – Lady Example (Slown, Smallened and Son)
Alisdair Macindoe (Composition and Sound Design) – Year’s Work
Duane Morrison (Composition) – Overture (Arts House and Jo Lloyd)
Max de Wardener, Genevieve Lacey and Wang Peng (Composition) – One Infinity (Playking Productions and Jun Tian Fang in association with Dancenorth and Beijing Dance Theatre)
Naretha Williams (Composition) – Dharawungara (Chunky Move)
Shirley McKechnie Award for Outstanding Choreography
Kyle Page and Amber Haines – Rainbow Vomit (Dancenorth)
The Space Between – Paul Grabowsky and Steve Vizard (Arts Centre Melbourne)
THEATRE COMPANIES
Performers
Paula Arundell – The Bleeding Tree (Griffin Theatre Company)
Johnny Carr – The Architect (Melbourne Theatre Company)
Linda Cropper – The Architect (Melbourne Theatre Company)
Catherine Davies – Going Down (Malthouse Theatre and Sydney Theatre Company)
Brent Hill – An Ideal Husband (Melbourne Theatre Company)
Belinda McClory – Hir (Red Stitch Actors Theatre)
Pacharo Mzembe – Prize Fighter (La Boite Theatre)
Eryn Jean Norvill – Melancholia (Malthouse Theatre)
Sarah Peirse – The Children (Melbourne Theatre Company and Sydney Theatre Company)
David Woods – Blasted (Malthouse Theatre)
Ensemble
Going Down (Malthouse Theatre and Sydney Theatre Company)
Astroman (Melbourne Theatre Company)
The Bleeding Tree (Griffin Theatre Company)
Ich Nibber Dibber (Malthouse Theatre, Intimate Spectacle and post)
Prize Fighter (La Boite Theatre)
Outstanding Performance in a Featured Role
Rodney Afif – Good Muslim Boy (Malthouse Theatre and Queensland Theatre)
Tamsin Carroll – Twelfth Night (Melbourne Theatre Company)
Maude Davey – Melancholia (Malthouse Theatre)
Ray Chong Nee – Antony and Cleopatra (Bell Shakespeare)
Peter Paltos – Gloria (Melbourne Theatre Company)
Lighting Design
Verity Hampson – The Bleeding Tree (Griffin Theatre Company)
Paul Jackson – Melancholia (Malthouse Theatre)
Paul Jackson – Blasted (Malthouse Theatre)
Katie Sfetkidis – Suddenly Last Summer (Red Stitch Actors Theatre)
Matt Scott – The Architect (Melbourne Theatre Company)
Set / Costume / AV Design
Gabriela Tylesova – Twelfth Night (Melbourne Theatre Company)
Christina Smith – The Architect (Melbourne Theatre Company)
Elizabeth Gadsby, Oh Yeah Wow, Emily Johnson, Verity Hampson – Blackie Blackie Brown: The Traditional Owner of Death (Malthouse Theatre and Sydney Theatre Company)
Marg Horwell – Melancholia (Malthouse Theatre)
The Sisters Hayes – Going Down (Malthouse Theatre and Sydney Theatre Company)
Music Composition and Sound Design
Steve Toulmin – Blackie Blackie Brown: The Traditional Owner of Death (Malthouse Theatre and Sydney Theatre Company)
Jethro Woodward – Blasted (Malthouse Theatre)
Kate Miller-Heidke, Keir Nuttall, and Ian McDonald – Twelfth Night (Melbourne Theatre Company)
Daniel Nixon – Suddenly Last Summer (Red Stitch Actors Theatre)
David J. Franzke – Melancholia (Malthouse Theatre)
Writing/Adaptation for the Australian Stage
Michele Lee – Going Down (Malthouse Theatre and Sydney Theatre Company)
Angus Cerini – The Bleeding Tree (Griffin Theatre Company)
Post (Zoë Coombs Marr, Natalie Rose and Mish Grigor) – Ich Nibber Dibber (Malthouse Theatre, Intimate Spectacle and post)
Nakkiah Lui – Blackie Blackie Brown: The Traditional Owner of Death (Malthouse Theatre and Sydney Theatre Company)
Aidan Fennessy – The Architect (Melbourne Theatre Company)
Direction
Anne-Louise Sarks – Blasted (Malthouse Theatre)
Peter Houghton – The Architect (Melbourne Theatre Company)
Leticia Cáceres – Going Down (Malthouse Theatre and Sydney Theatre Company)
Lee Lewis – The Bleeding Tree (Griffin Theatre Company)
Todd MacDonald – Prize Fighter (La Boite Theatre)
Production
The Architect (Melbourne Theatre Company)
Melancholia (Malthouse Theatre)
Blackie Blackie Brown: The Traditional Owner of Death (Malthouse Theatre and Sydney Theatre Company)
Prize Fighter (La Boite Theatre)
The Bleeding Tree (Griffin Theatre Company)
Matt Edwards
Matt is a past owner of AussieTheatre, working as digital director from 2011 to 2019. He is also a performer, most recently appeared in the Australian tour of Mamma Mia! and previously in the Australian/NZ tour of CATS and Enda Markey's acclaimed production of Blood Brothers. As well as performing Matt keeps himself busy in the digital side of the arts working with web design agency Emptyhead Digital