Collette Guitart and Tobias Turley
Excitement is building on London’s theatre circuit as the Marylebone Theatre prepares to present its first-ever musical. WHITE ROSE: THE MUSICAL, which charts the inspiring and ultimately tragic true story of the White Rose resistance group, is set to open on 27 February 2025. With book and lyrics by Brian Belding and music by Natalie Brice, this production promises to be a thought-provoking, heart-wrenching, and deeply human exploration of young people who risked their lives to protest against the Nazi regime in 1940s Germany.
Not many venues can boast that their very first musical premiere is based on such a significant slice of history. By hosting WHITE ROSE: THE MUSICAL, the Marylebone Theatre embarks on an exciting journey into uncharted territory. For years, the space has been known for diverse theatrical offerings and intimate performances, but this marks its official foray into the world of musical theatre. The timing couldn’t be more apt, given London’s ever-growing appetite for fresh, original stories in the West End and beyond.
While not as vast as some of the West End’s larger homes, the Marylebone Theatre has cultivated a reputation for staging high-quality productions in an environment that allows audiences to feel intimately connected to the performance. That sense of closeness may well heighten the emotional impact of WHITE ROSE: THE MUSICAL’s powerful story. With the press night scheduled for 4 March 2025, both theatre aficionados and newcomers will soon see how this new adaptation brings history to life.
For those unfamiliar with the White Rose movement, it was a clandestine resistance group that formed in Munich during the height of the Second World War. Comprised mainly of university students, including the siblings Hans and Sophie Scholl, the group risked imprisonment and even execution in order to distribute anti-Nazi leaflets. Their aim was to stir the conscience of German citizens, motivating them to oppose Adolf Hitler’s rule.
The young activists wrote, printed, and secretly circulated leaflets with titles that challenged the moral decay they witnessed in Germany. Ultimately, their efforts came to a tragic end when the core members were arrested, tried, and executed. Yet, their bravery and moral clarity continue to inspire. Plays, books, and films have depicted their story for decades, and now, this new musical adaptation by Brian Belding and Natalie Brice offers a chance for theatre-goers to delve deeper into the emotional intensity of the White Rose’s campaign.
Although the Marylebone Theatre is hosting WHITE ROSE: THE MUSICAL’s UK premiere, the show made its initial splash Off-Broadway last year. Critical response was strong, with reviewers praising the production’s deft handling of a sensitive and complex chapter in European history. It’s often said that musicals tackling serious subjects face added pressure to balance historical accuracy with the heightened energy that live music can bring. According to early feedback, WHITE ROSE: THE MUSICAL manages this balance with grace, uniting stirring melodies and thoughtful lyrics for a memorable theatre experience.
Given its successful run in New York, it’s no surprise that London producers were quick to snap up the chance to present the piece on British soil. The musical now stands on the brink of finding a brand-new audience, with an initial run set from 27 February to 13 April 2025. Many have already remarked that its haunting message resonates just as deeply in modern times as it did when the original White Rose members distributed their leaflets.
A musical of this calibre deserves a top-notch cast, and WHITE ROSE: THE MUSICAL appears to have found exactly that. The production will feature Collette Guitart and Tobias Turley in lead roles, two performers with glowing track records in the theatre world. Although full details of their characters have yet to be released, expectations are high that they will bring empathy and realism to the stage—qualities essential for a show that grapples with life-and-death stakes.
With direction by Will Nunziata and casting by Harry Blumenau, the creative team has taken great care to assemble performers who can convey both the intimacy of the students’ secret meetings and the scale of the historical period in which they lived. Additional cast members will be announced in due course, ensuring that the final ensemble represents the emotional complexity and camaraderie that defined the real-life White Rose movement.
Musical theatre has long had a penchant for reimagining real stories, from the French Revolution’s echoes in LES MISÉRABLES to the modern retelling of Tudor history in SIX. What sets WHITE ROSE: THE MUSICAL apart is the delicacy with which it must handle real events that involved ordinary individuals—students, really—who became political activists in extraordinary times.
Such subject matter demands thorough research and a careful approach to representation. The fact that the White Rose resistance group is relatively less known to a global audience, compared with other historical figures or movements, offers a unique avenue for discovery. Audiences may come expecting a lesson in history but will likely leave with a renewed sense of moral conviction and an appreciation for the courage it takes to speak out, even when the odds are stacked unfavourably.
The presence of a live musical score, courtesy of Natalie Brice’s compositions, elevates the emotional weight of the White Rose story. Music can provide what spoken dialogue alone often cannot: a direct pathway to the audience’s heart. Certain segments of the show may involve quietly introspective solos, perhaps emphasising the inner turmoil these young resisters faced. Other parts might swell into ensemble numbers that convey the urgent energy of leaflets being printed in hushed corners of university corridors. Although show-stopping anthems are not necessarily a requirement for a musical like WHITE ROSE: THE MUSICAL, it’s anticipated that at least one or two stirring numbers will linger in the memory long after the curtain falls.
Early glimpses from the Off-Broadway run suggest that Brice’s score helps the show maintain a tonal balance between heartbreak and defiance. Indeed, musicals that revolve around political unrest and activism often find their strongest emotional climaxes through the music itself. In the same way that Do You Hear the People Sing? stirs revolutionaries in LES MISÉRABLES, there’s every chance that an inspiring group number here will capture the defiant spirit of the White Rose.
WHITE ROSE: THE MUSICAL comes at a time when British audiences have been highly receptive to history-based musicals, particularly those that unearth lesser-known truths. Works like COME FROM AWAY, which spotlighted the empathy of a small town in Canada during 9/11, have shown that audiences are prepared for nuanced, heartfelt storytelling. Moreover, the theatre industry’s recent push to diversify narratives and share overlooked histories opens the door for stories like the White Rose movement to take centre stage.
From a production standpoint, having the show produced by Samsational Entertainment and JLWN Productions LLC, with Thomas Hopkins Productions serving as executive producer and general manager, adds further confidence. Each company has experience mounting new works, supporting them through the workshop process, and championing their growth into full-fledged professional productions. Their combined expertise bodes well for a successful run at the Marylebone Theatre, as well as any subsequent UK tours or international engagements.
Even though WHITE ROSE: THE MUSICAL focuses on events from the early 1940s, its themes remain startlingly relevant. The idea of students taking a stand, risking imprisonment, or worse, to confront totalitarian ideologies finds echoes in modern movements worldwide. In many respects, the White Rose group can be seen as a precursor to today’s youth-driven movements, where young activists lead the charge on environmental crises, social justice, and human rights.
In a global climate still marked by political upheaval, the musical serves as a reminder of the collective power that can arise when passionate individuals unite behind a just cause. Although the White Rose group paid the ultimate price for their bravery, their leaflets sowed the seeds of hope and moral reckoning. For the audience, seeing this story on stage through song and dance might prove both emotionally challenging and uplifting in equal measure.
In the end, WHITE ROSE: THE MUSICAL does more than recount a historical episode. It illuminates the strength of conviction that spurred ordinary individuals to defy a terrifying regime. Their story may have ended in tragedy, but their legacy lives on, reminding us how vital it is to speak out against injustice. This production harnesses the emotive power of theatre to show that bravery blossoms even in the darkest of times.
As the curtain rises at the Marylebone Theatre, you’ll witness a musical that isn’t afraid to challenge, inspire, and provoke reflection. If you believe in the importance of telling stories that delve into history’s quiet corners—and if you enjoy the collective hush of an audience drawn into a gripping new production—then this is one premiere you won’t want to miss. The White Rose resistance once stood as a beacon of hope in a world gone awry; now, their message resonates again in the heart of London. Be there to see it.
The Empire has announced the appointment of three new Directors to The Empire’s Board, officially…
Theatrical licensor Music Theatre International announced the official launch of Broadway Senior a collection of…
Grammy Award-winning American composer Eric Whitacre returns to Sydney with the Australian premiere of his…
Melbourne Opera will stage Saint-Saens grand opera Samson & Delilah from 1 June at the…
Washington, D.C. — A growing rift between the performing-arts community and President Donald Trump is…
Producer John Frost for Crossroads Live today announced that Andrew Lloyd Webber’s record-breaking musical CATS…