From the moment the idea was floated, I heard sceptics muttering: “A custom-built pub, right in the heart of London’s theatre district? You must be joking.” But no—the creative minds behind THE CURIOUS CASE OF BENJAMIN BUTTON weren’t joking at all. They were determined to bring a slice of Cornwall to the capital, and they’ve done just that. Director and stage designer Jethro Compton worked hand-in-hand with Datum Production Solutions to erect The Pickled Crab, inspired by the very drinking house where Benjamin meets the only woman he will ever love.
It’s an audacious concept. After all, we’re used to seeing over-the-top sets or maybe an onstage bar in a show, but an actual functioning pub? That’s a leap of faith. Turns out, it’s precisely the kind of leap that has captivated theatre-goers. The bar remains open before performances, through the interval, and even between double-show days on Tuesdays and Saturdays, welcoming anyone thirsty for a tipple and a morsel of Cornish fare.
You might wonder, why go through such trouble? One glance at the interior answers the question. “It’s filled with all things Cornish,” Compton explains, “and hundreds of little details that expand the world of the show out into the streets of London.” From the moment you enter, you’re greeted by fishing nets draped over wooden beams, flickering lanterns casting warm light, and the gentle hum of sea shanties floating through the air. And that’s not just a marketing gimmick. It’s a genuine attempt to bring the sights, smells, and tastes of Cornwall to the West End. Even the beverages, such as Proper Job on draught, have been carefully selected to offer a true sampling of the south-west.
I tried one of the famous pasties—a golden, flaky pastry stuffed with hearty fillings that almost made me forget I was in London at all. According to a staff member, these are sourced from a local supplier specifically chosen for authenticity. It’s the kind of painstaking attention to detail that tells you this creative team cares about storytelling in every sense, from set design to your taste buds.
For those who haven’t yet encountered THE CURIOUS CASE OF BENJAMIN BUTTON, the show is adapted from the F. Scott Fitzgerald short story of the same name. It follows the whimsical and moving tale of a man who ages in reverse: born old, growing younger as the years pass. But while Fitzgerald originally placed Benjamin in the American South, this stage adaptation relocates the tale to a Cornish fishing village—a setting that feels gorgeously timeless, full of rugged coastlines and intangible magic.
The titular role is played by John Dagleish, who infuses Benjamin with a delicate mix of wonder, confusion, and hope. He’s earned an Olivier Award nomination for his performance, and I’d say it’s well deserved. Opposite him is Clare Foster, also nominated for an Olivier this year, as Elowen Keene. Their chemistry on stage is electric, giving real heart to the show’s central love story. And if you’ve any lingering doubt, consider this: THE CURIOUS CASE OF BENJAMIN BUTTON has already garnered three sets of glowing reviews from WhatsOnStage, each awarding the production the maximum of five stars. That’s 15 stars in total. Talk about a crowd-pleaser!
What makes this musical so special? For starters, it’s the most nominated new British musical at this year’s Olivier Awards. Beyond Dagleish and Foster’s nominations, the show has also been recognised for its Outstanding Musical Contribution, a nod to Darren Clark (for music supervision, orchestrations, and arrangements) and Mark Aspinall (for musical direction, music supervision, orchestrations, and arrangements). If you’re a music buff, you’ll absolutely revel in the delicate, folky melodies that evoke visions of waves lapping against a sturdy wooden boat, or the hush of dawn in a sleepy harbour.
But the creative feats don’t stop there. The choreography by Chi-San Howard, costume and associate stage design by Anna Kelsey, and lighting by Zoe Spurr ensure that every scene transitions smoothly, every costume is replete with character, and each emotional beat lands with the right visual tone. And if you’ve ever stood in the back of a theatre craning your neck to catch every whispered line, fear not: Luke Swaffield’s sound design ensures clarity, while also capturing those softer, more intimate moments that make you lean in, heart pounding, to catch every last breath.
You might think the pub is just a novelty. But here’s the thing that took me by surprise: it’s woven directly into the fabric of the performance. When you step into The Pickled Crab, you’re not simply in a theatre bar. You’re standing in the same pub where the fictional Benjamin meets Elowen. In other words, you become part of that universe before the show even begins. It’s a rare bit of synergy—most productions invite you to watch; this one invites you to participate, immersing you in a living, breathing extension of the storyline.
The bar’s aesthetic doesn’t vanish when the curtain rises, either. That sense of being grounded in a quaint village, where the next big catch or the next tall tale is just around the corner, carries over seamlessly onto the stage. Audience members often comment on how this subtle, subliminal grounding makes the story feel more intimate. It blurs the line between spectator and participant, deepening your emotional investment in Benjamin’s extraordinary journey. In a world where special effects and digital wizardry often steal the spotlight, it’s refreshing to see an old-fashioned approach to immersion: feed the audience, offer them a drink, and let them live in the story’s world, if only for a few precious hours.
I’m no stranger to musicals that promise much but deliver little. Yet, the data here speaks for itself. THE CURIOUS CASE OF BENJAMIN BUTTON has not just charmed critics; it has also amassed a loyal following—so much so that the run is booking until 30 August 2025. Word of mouth is as strong as ever, with theatre fans praising the show’s emotional depth, melodic score, and immersive set design. If you’re a numbers person, you’ll be pleased to note that it’s quite rare for a new British musical to achieve so many Olivier Award nods in its debut year. It’s an achievement that points to the production’s strong creative team, innovative staging, and a story that resonates with a wide range of theatregoers.
Budget-conscious? Or simply keen to see the show in prime seats without selling a kidney? The producers have introduced a new initiative called Anchor Seats: 200 tickets are anchored at £40 for every Thursday evening performance. Given the climbing costs of West End outings, this might just be your best bet for securing a seat without denting your wallet.
I’ve already had friends excitedly book these Anchor Seats, reporting back that they still had a fantastic view of the action, and none of the dreaded ‘restricted view’ disclaimers in tiny letters. It’s a clever idea—by making certain tickets more accessible, the show’s creative team all but guarantees a broader, more diverse audience. Ultimately, who doesn’t want that extra jolt of accessibility in an art form sometimes accused of elitism?
Musicals come and go, some with bigger budgets and others with starrier casts. But THE CURIOUS CASE OF BENJAMIN BUTTON has hit on a magical concoction: a timeless story, enchanting folk-inspired music, top-tier performances, and an immersive experience that literally envelops you in the show’s world. Throw in the gleaming credentials of multiple Olivier nominations, plus the novelty of a pub built from scratch to serve up authentic Cornish delights, and you’ve got a recipe for a truly unforgettable night out.
If there’s one surprise I hope you take away, it’s that theatre can still innovate in ways that go beyond fancy projections and towering LED screens. Sometimes, all it takes is a simple pint, a warm pasty, and a well-worn bar stool to whisk you to another time and place. When you encounter that sensation of stepping into Cornwall the moment you cross the threshold, you’ll realise this production isn’t just about telling a story—it’s about building a world you can taste, smell, and feel.
So here’s my advice: go, drink, feast, and then lose yourself in a love story that defies time and age. For me, it was a poignant reminder of what live performances do best. They transport us, humble us, and leave us with a sense of wonder that lingers long after the applause dies down. As you emerge into the late-night hum of the West End, you’ll still taste the salt air of Cornwall on your lips—and that, dear reader, is theatre at its most exhilarating.
One word of warning: once you’ve savoured this immersive gem, you’ll wish every show came with its own pub. But that’s the magic of THE CURIOUS CASE OF BENJAMIN BUTTON—it can’t help but raise the bar (quite literally) for what theatre can be. And isn’t it brilliant to see the West End teeming with bold ideas and new stories just waiting for us to dive in? If you ask me, that’s worth lifting your glass for. Cheers!
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