International

MAIDEN VOYAGE Sets Sail For London

There’s something downright electrifying about the prospect of a world premiere. In a theatre climate brimming with revivals, adaptations of blockbuster films, and jukebox musicals, a fresh piece of work that digs deep into human perseverance stands out like a lighthouse beam in a dark cove. MAIDEN VOYAGE promises exactly that sort of beacon.

Produced by Mark Cortale, Dale Franzen, Jonathan Murray, and Harvey Reese, in association with Shared Experience, the musical is the brainchild of two remarkable creatives: Mindi Dickstein and Carmel Dean. We’re talking about a pair of writers who are no strangers to bold theatrical narratives—both have carved out reputations for crafting stories that celebrate resilience and shine a light on characters who refuse to be sidelined. This time, they’re tackling the incredible achievements of Tracy Edwards, the intrepid leader of the first all-women racing crew ever to compete in the Whitbread Round the World Yacht Race. If that alone doesn’t pique your curiosity, consider that this race demanded covering thousands of nautical miles through some of the most punishing oceans on Earth. Talk about an underdog story for the ages.

In a statement that captures the spirit of the production, Dickstein and Dean said they knew they wanted to write about women who face challenges head-on. You can practically feel the energy behind their words: “We heard music at every turn. Courage sings. Pushing yourself to the limits of your abilities and beyond sings. The ocean, sings.” Their excitement is contagious, and for anyone who relishes tales of triumph, it’s reason enough to mark 19 July on your calendar (when previews begin) and 26 July for opening night at Southwark Playhouse Elephant, where it will run until 23 August.

The Real-Life Journey that Inspired a Musical

Let’s rewind to 1989, when yachting was largely seen as a male-dominated pursuit. Tracy Edwards, a young woman with an unshakeable dream, managed to assemble a crew of equally determined women to race around the globe on the yacht Maiden. This was no short skip across the harbour. The Whitbread Round the World Yacht Race—now known as The Ocean Race—spans over 33,000 nautical miles, pushing participants to endure howling winds, towering waves, and the emotional toll of near-constant vigilance.

Despite scepticism from sponsors, the media, and even some corners of the boating community, Edwards and her team not only competed but also performed impressively, winning two legs in their class and finishing second overall in their division. For me, a theatre lover who’s spent countless hours enthralled by behind-the-scenes glimpses of dancers perfecting pirouettes or actors wrestling with monologues, there’s something profoundly similar in the grit these women showed. Both theatre and long-distance sailing demand stamina, adaptability, and the refusal to quit when the going gets rough.

A Director Steeped in Musical Theatre

When a musical takes its cues from real events, the right director can ensure that authenticity leaps off the stage. Enter Tara Overfield Wilkinson, who has over three decades of experience in the industry. Her excitement is clear: “As a director who has worked in the musical theatre industry for over thirty-five years, it means a lot to me to tell the story of these strong amazing women who defied the critics and naysayers to achieve such phenomenal success in the challenges they faced.”

She’s exactly the sort of visionary who can steer a project like MAIDEN VOYAGE to safe harbour. Musical theatre is an art form where every element—from the set design that reimagines the vastness of ocean horizons to the orchestrations that must capture the swell and plunge of towering waves—relies on cohesive storytelling. Wilkinson’s directorial background suggests she’ll fuse these elements with an almost cinematic flair, ensuring the audience feels the spray of seawater and the adrenaline of night-time watches under star-filled skies.

The Sound of the Ocean

Speaking of orchestration, the production boasts arrangements by Michael Starobin, a name that carries considerable weight among theatre aficionados. Starobin has a track record of translating human emotion into musical form, bringing depth and nuance to the interplay of voices and instruments. If the creative team’s statements are anything to go by, we can expect songs that capture not just the might of the ocean, but also the quieter, introspective moments of doubt and determination that must have punctuated each day on Maiden.

One unique angle here—something that sets MAIDEN VOYAGE apart from other musicals dealing with heroism—is how the ocean itself becomes almost another character. We’re not just hearing about a personal journey of self-discovery; we’re also witnessing an elemental force, an entire environment that tests and transforms the crew. Even the concept of composing songs that evoke wind and water is an intriguing challenge. How do you represent the eerie calm of a windless day or the sheer terror of a storm-lashed deck in a theatre space? That’s the magic trick we’re itching to see revealed.

The Producers’ Perspective

The energy behind this production also owes much to its producers, who see themselves as champions of stories that encourage people to dream big. Cortale and Franzen articulate that vision clearly: “As producers, we are drawn to stories of unexpected heroes like Tracy Edwards who are compelled to risk everything for a dream that almost everyone thinks is impossible.” This resonates far beyond the context of sailing. In many ways, it mirrors the experience of mounting a new musical itself—navigating unpredictable seas of financing, critical reception, and audience expectations.

This perspective underscores a key point about theatre as an industry: it thrives on stories that show us why we keep fighting for our aspirations, even when the odds are stacked. The producers’ conviction that MAIDEN VOYAGE will embolden others to “fearlessly take the helm and follow their dreams” feels especially apt given the times we live in. In the same way that Tracy Edwards and her crew refused to be intimidated by naysayers, so too do new musicals challenge the notion that theatre should stick to the tried and true.

Surprising Details to Watch For

Though official details about the scenic design remain under wraps, we can guess that the show may employ both imaginative staging and immersive soundscapes. If some rumours are to be believed (and theatre rumours are often half the fun), there might be sequences that replicate the sensation of cresting waves at breakneck speed—a feat that will require creative stagecraft, lighting, and maybe even elements of modern projection.

Furthermore, insiders hint at a particularly moving number that underscores the emotional weight of leaving loved ones onshore for months. This is where musicals excel: a raw moment can bloom into a poignant set piece, weaving personal sacrifice into a broader tapestry of communal experience. One might say that the entire notion of group harmony—both in music and in the real-life camaraderie among crewmates—lies at the show’s core.

For theatre buffs who crave authenticity in their musicals, MAIDEN VOYAGE has it in spades. Its narrative is rooted in a real adventure that expanded the horizons of what was possible for women in sports. Yes, we all know musicals that revolve around defying the odds, but here, the stakes are life-and-death on the high seas, and the moral is far from contrived—it’s grounded in documented history. If you’ve been starved for a production that packs a forceful emotional punch and resonates with timely themes of perseverance, look no further.

Additionally, if you’re the kind of person who collects behind-the-scenes tidbits, this show will likely yield more than a handful. From the process of replicating the hum and hush of ocean life to the complexities of choreographing the cast so they appear convincingly sea-worn, the creative challenges are enormous. That’s precisely what makes it so thrilling to witness—there’s a rare satisfaction in watching skilled artists tackle the impossible and make it seem effortless.

The Final Word

If the idea of an all-female crew braving epic seas to prove they belong doesn’t stir something within you, perhaps nothing will. The creative forces behind MAIDEN VOYAGE understand that theatre’s power lies in harnessing empathy and awe. By drawing us into the triumphs and terrors of an extraordinary real-life journey, this musical has the potential to leave an indelible mark, long after the last note has faded and the curtain has fallen.

So if you find yourself in London between 19 July and 23 August, hoist the metaphorical sails and head to the Southwark Playhouse Elephant. There’s a seat with your name on it, and it just might be the starting point of an unforgettable theatrical expedition. Here’s my parting shot: the ocean may be vast, but the human spirit can be vaster still, and MAIDEN VOYAGE stands ready to prove that sometimes, the boldest journeys happen when we decide that no wave is too large and no dream is too distant to chase.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

SUBSCRIBE

Sign up to receive our FREE weekly newsletter

Join thousands of others....

Sign up to our FREE newsletter!