In a world where period dramas reign supreme and Regency attire continues to pop up on social media feeds, there’s a new musical ready to sweep you off your feet—quite literally. Set in a holiday resort where corsets, carriages, and clipped accents abound, Lucie Jones is headlining as the hapless-in-love heroine in AUSTENLAND. And if you’ve ever wondered how Pride and Prejudice might look under today’s spotlight, or whether gallant suitors can still thrive in the 21st century, this new production might just be your ticket to an unforgettable night at the theatre.
AUSTENLAND, adapted from Shannon Hale’s 2007 novel, beckons anyone who has ever pined for their very own Mr Darcy—or even those who remain unconvinced by the famously brooding gentleman. First brought to the screen in 2013 (starring Keri Russell and Jennifer Coolidge), the story follows Jane Hayes, a die-hard Austen fan who finds herself at a Regency-themed retreat. Complete with empire-waist dresses, dance cards, and witty repartee, her journey highlights the clash between romantic fantasy and the complexities of modern love. At a glance, it’s a feel-good premise that allows you to indulge in old-fashioned courtship without ever leaving the West End—perfect for theatre-goers who love to combine historical charm with a dash of contemporary wit.
Yet, what truly makes AUSTENLAND a contender to watch is its relevance in our post-Bridgerton world. With Netflix’s lavish Regency-inspired series racking up over 82 million household views in its first month of release, the appetite for corseted drama has never been stronger. Romantic epics, once perceived as niche costume extravaganzas, have found a renewed following, and this musical aims to tap into that resurgence. If you’ve caught yourself eyeing Regency ballgowns or dreaming of sipping tea from delicate china cups, AUSTENLAND promises to deliver a live immersive experience that brings that daydream to life on stage.
The musical leaps from the beloved novel to the Savoy Theatre’s spotlight under the expert guidance of some impressive creative minds. The book is by Jodi Picoult—bestselling author of My Sister’s Keeper and co-writer of the stage adaptation for THE BOOK THIEF—and Timothy Allen McDonald, who helped bring JAMES AND THE GIANT PEACH to the stage. Meanwhile, the score comes from Kate Anderson and Elyssa Samsel, the duo behind the tunes of CENTRAL PARK and OLAF’S FROZEN ADVENTURE. If you’ve ever found yourself humming along to That Time of Year, or you were swept up in the breezy songs from Apple TV+’s animated musicals, then you already know this pair has a knack for catchy melodies and heartfelt lyrics.
By assembling a team whose credits span everything from poignant dramas to animated feel-good adventures, AUSTENLAND appears poised to combine the best of both worlds: the comedic flamboyance of a grand spectacle and the emotional core of a romantic comedy. The show’s creators have promised “songs that you’ll sing in the shower for weeks” and a humorous take on love and relationships, ensuring you won’t simply be watching a period piece, but stepping into a story where the past and present collide in toe-tapping harmony.
Before AUSTENLAND unveils its polished production, two concert-style workshop performances will grace the West End. These preview concerts are a way for the creative team to iron out any wrinkles, gauge audience reactions, and refine the show to perfection. It’s a common practice in musical theatre: think of it as the ultimate test run where the cast gets to inhabit their characters under live conditions, and the writers see just how many jokes land (and how many might need reworking).
Front and centre is Lucie Jones, no stranger to the West End spotlight. She’s won the hearts of audiences in Legally Blonde, Les Misérables, and Waitress, consistently showcasing her vocal prowess and charismatic stage presence. Hearing her sing for the first time in the role of Jane Hayes, you can almost imagine the modern-day Austen heroine navigating the pitfalls of love in a quaint Regency world. For a taste of what’s in store, you can seek out a special clip of Lucie Jonesperforming one of the show’s tracks—like the goosebump-worthy Audition Waltz, a number that brims with the kind of sparkle only a top-tier West End vocalist can deliver.
While Britain has long adored Austen’s novels, AUSTENLAND stands out by taking that fascination one step further. Instead of simply recounting classic Austen narratives, it invites audiences into a modern scenario that replicates the Regency environment—with a twist. Jane Hayes is neither a demure Elizabeth Bennet nor a misunderstood Emma Woodhouse. She’s one of us: a woman who has consumed too many swoon-worthy novels and period dramas, suddenly confronted by the real-life consequences of stepping into her favourite stories.
In a culture where historical re-enactments have crossed into mainstream entertainment—look no further than historical festivals, interactive museums, or the rise of immersive theatre—AUSTENLAND pushes the boundaries of how we engage with the past. It cleverly plays with the notion that these old customs and costumes might be more than just escapism. The show suggests that the romantic ideals we chase, whether sparked by old novels or modern streaming hits, can teach us about our own hopes and insecurities. Is the fantasy everything it’s cracked up to be, or does real love flourish when the costumes come off? By the end of the performance, you might find yourself rethinking your own approach to romance—Regency era or otherwise.
You might wonder: amid pressing world events, why fixate on a musical set in a make-believe Regency resort? Simply put, there’s something comforting—and hopeful—about watching a character strive for genuine love and companionship in a carefully controlled environment. AUSTENLAND serves as a playful reminder that you can yearn for the charm of a bygone era without sacrificing modern values. Love, respect, and mutual admiration never go out of style. And in an age where dating apps often reduce romance to a quick swipe, immersing yourself in a world of meaningful conversation, glittering ballrooms, and petticoats can feel wonderfully refreshing.
Moreover, research has shown that musical theatre can have tangible emotional benefits, acting as a stress relief and even an avenue for personal reflection. In a 2022 study published by the Royal Society for Public Health, participants who attended live performances reported higher levels of well-being, underlining the cultural value of theatrical escapism. For many, a night out at the theatre is not just about watching a story unfold; it’s about sharing collective gasps, laughs, and a standing ovation that resonates with the entire audience.
When the final note is sung and the stage lights dim, AUSTENLAND promises to leave you contemplating the intersections between fiction and reality. The show’s blend of old and new, of earnest longing and wry self-awareness, seems tailor-made for theatregoers who crave both nostalgia and a fresh perspective. There’s a certain power in seeing the timeless world of Austen reimagined by some of today’s most innovative musical minds.
If you’re ready for a production that swaps your regular weekend Netflix binge for a live, laughter-filled, and utterly charming evening out, AUSTENLAND could be the highlight of your 2025 theatre calendar. It’s not just about stepping back in time; it’s about stepping into a story that acknowledges our universal need for connection—puffy sleeves and all. And who knows? You may walk out of the Savoy Theatre feeling slightly more optimistic about modern love, armed with a tune you’ll be humming well into the next morning. After all, whether we’re standing in a 19th-century drawing room or simply daydreaming on a crowded Tube, everyone deserves a grand romance that’s worthy of a standing ovation.
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