Ariana Grande, celebrated singer and star of the upcoming Wicked film adaptation, has reignited a classic Broadway debate with a simple yet bold statement. In an interview with W Magazine, Grande shared her affection for Avenue Q—the 2004 Tony Award-winning musical that controversially bested Wicked for Best Musical.
“This is kind of controversial to say,” she admitted. “I loved Avenue Q, even though it won the Tony for Best Musical over Wicked.” With that comment, Grande touched on a rivalry that has persisted in musical theatre circles for nearly two decades.
Back in 2004, the Tony Awards decision to crown Avenue Q surprised many. The quirky comedy, featuring puppets and tackling adult themes, seemed an unusual choice over Wicked, a visually spectacular and emotionally resonant prequel to The Wizard of Oz.
While Avenue Q charmed critics with its irreverent humour and originality, Wicked won the hearts of audiences. The musical tells the story of Glinda and Elphaba, two witches whose unlikely friendship and struggles with identity made it an instant phenomenon. Original cast members Kristin Chenoweth and Idina Menzel delivered showstopping performances that elevated the production into cultural lore.
The clash between Wicked and Avenue Q at the Tony Awards highlighted a deeper divide between critical acclaim and audience devotion. Critics were lukewarm on Wicked at the time of its debut, citing uneven pacing and songs that didn’t quite soar. In contrast, Avenue Q was hailed as a sharp, satirical triumph. For Tony voters, Avenue Q represented artistic boldness, while Wicked resonated more with the public.
Over time, however, Wicked proved that awards are not the only measure of success. Its fanbase—largely composed of women and members of the LGBTQ+ community—helped catapult it to unprecedented heights, transforming it into a Broadway staple. Today, Wicked continues to fill theatres worldwide and inspire new generations of fans.
Fast forward to 2024, and Wicked is once again in the spotlight, this time through its film adaptation, directed by Jon M. Chu. Though not universally praised by critics, Wicked: Part 1 has struck a chord with audiences, becoming the highest-grossing musical film adaptation as of January 2025, surpassing even Mamma Mia!.
Grande, who plays Glinda in the film, remains a devoted fan of Wicked. “Wicked, of course, is my number one,” she clarified, acknowledging the musical’s unmatched ability to connect with audiences on a deeply emotional level.
The enduring appeal of Wicked underscores an essential truth about theatre: legacy matters more than accolades. While Avenue Q is remembered fondly for its cleverness and innovation, Wicked has achieved something far rarer—a permanent place in pop culture and a multi-generational fanbase.
Grande’s comments serve as a reminder of Broadway’s rich history and the ongoing conversation about what makes a musical truly great. For Wicked, the answer lies in its power to move audiences, foster community, and defy gravity—no matter how many trophies it takes home.
Photo Credit: DepositPhotos.com
Music icon Sting will return to the stage in a newly adapted production of his…
Broadway’s biggest night is fast approaching, with the Tony Awards set to celebrate another busy…
The Genesian Theatre Company is proud to present a moving new production of Harper Lee’s…
Minister for Sport and Major Events Steve Dimopoulos, together with producers Tony Cochrane AM and…
Liverpool City Council’s much-loved celebration of Asian culture and cuisine, Lanterns and Lights, returns on…
The Australian Premiere of the smash-hit Broadway musical Tootsie, officially opens at Teatro at the…