Review: The Merchant of Venice — Sport for Jove
There’s a reason that Sport for Jove have so thoroughly caught the eye of critics and audiences in Sydney. Their
Read MoreThere’s a reason that Sport for Jove have so thoroughly caught the eye of critics and audiences in Sydney. Their
Read MoreThe House of Ramon Iglesia sits comfortably in the Old Fitz season, a seemingly odd choice that has settled into
Read MoreJohn Misto’s The Shoe-Horn Sonata is Sandra Bates’ swan song. In her final year as Artistic Director of the Ensemble
Read MoreThe House on the Lake, a fine, twisting thriller by Aidan Fennessy, has opened at Griffin’s SBW Stables Theatre following
Read More“The Doll” is one of those classic Australian plays that has been studied by drama students for decades. Written by
Read MoreCowboy Mouth, in a meagre 45 minutes, attempts to deal with hefty concepts innate to the human experience. Focused on
Read MoreIn the preface to my copy, it says The School for Scandal is “often considered the apex of English comedy”.
Read MoreIt started with a dog, in a perspex case, alone on stage. It ended with an elderly ‘Dorothy’ (Eileen Kramer)
Read MoreIn his monologue The Fever, Wallace Shawn reaches out to his own peers with his idea that their very existence
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