A modest audience saw Adelaide’s wonderful Capri Theatre offer the perfect setting for Groucho, an 80-minute play about the life
Read MoreFrom the moment the be-sequined Catherine Alcorn shimmied onto the stage she held the audience in the palm of her
Read MoreIf you’re a Neil Young fan (and there were plenty of them at The Promethean – me included) you are
Read MoreTorch Song Trilogy is a play that matters to the canon of modern gay theatre. From 1982, it was a
Read MoreThe best way to describe Closer is that it’s a slow burner. It requires the audience’s close attention and investment
Read MoreAlan Bennett’s The History Boys is a masterclass in clever and referential writing. With one of the best scripts in
Read MorePan Pan Theatre’s A Doll House defies description as it re-imagines Ibsen’s timeless tale of disillusionment and self-determination by redefining
Read MoreThe Masters is the latest show by physical theatre company The Business. Pretty quickly it’s clear that the company of
Read MoreGiuseppe Verdi’s final opera, the raucous Falstaff ends with the words, “The whole world is a jest. Man was born
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