Reviews

On A Night Like This: The Erin Minogue Experience

One of the marvellous things about cabaret is its immense flexibility. A show can embrace a story, or not tell…

11 years ago

MKA: Like a Fishbone

MKA: Theatre of New Writing’s new festival HYPRTXT opens with a work that spans multiple thematic fields. At the heart…

11 years ago

Left

A good performer, circus or otherwise, doesn't let their mistakes get the better of them. A great performer owns their…

11 years ago

Supergirly

Supergirly is a riotous frolic through the life of Supergirly: the kind of acidic Pop Queen we’ve all been waiting…

11 years ago

The Rap Guide to Evolution

The Rap Guide to Evolution seeks to educate and entertain by making evolutionary theory relevant and engaging to a wide…

11 years ago

Review: Everybody Loves Lucy, Hayes Theatre

Lucille Ball: a modern icon of comedy, a sitcom pioneer, the first woman to be a studio executive, and the…

11 years ago

Heart of a Dog, Canberra

Heart of a Dog by Jim McGrath, presented at the Street Theatre, began life as a novel of the same…

11 years ago

Black is Back – A Tribute of Sorts

If Wes Anderson and Tim Burton conceived a lovechild, and that lovechild splattered the wicked espresso flowing through its circulatory…

11 years ago

Celtic Illusion

A conventional history of modern Irish dance credits the 1994 Eurovision interval performance of Riverdance in Dublin for launching a phenomenon.…

11 years ago

NEON: Dangerous Liaisons

The second NEON Festival of Independent Theatre opens with the dazzling high-camp, glitter-bright, subversion of Stephen Nicolazzo's Little Ones Theatre. Dangerous Liaisons is…

11 years ago