Reviews

Review: Kill the Messenger, Belvoir

Kill the Messenger is so alive that it constantly interrupts itself to remind the audience that it has a very…

11 years ago

Adelaide Festival: Jack and the Beanstalk

What a great take on Jack and the Beanstalk. Deliciously dark and a touch chilling, it dines out on the…

11 years ago

Spiegelworld Tour: Absinthe

Sparkly. Dirty-sexy. Performing fast-paced, high-risk goings-on that fill the lush red-velvet tent. And that’s just the filthy two-person team who…

11 years ago

Review: Away

Perhaps the most striking thing about Away by Michael Gow is how fundamentally unchanged our condition is today. Set in…

11 years ago

Adelaide Festival: Azimut

Is it physical theatre? Is it Dance? Is it circus? Whatever it is, it is extraordinary, weird, wonderful and mesmerising,…

11 years ago

Review: Man of La Mancha, Squabbalogic

Squabbalogic are back and this time they’re tackling a revival of a classic work, trying to find its original kernel…

11 years ago

Adelaide Fringe: Virada – Tap. Acrobatics. Percussion.

In a sea of serious, artistic dance acts this fringe, Virada offers something different – it’s fun, artistic dance, and…

11 years ago

Sexercise

Sexercise could be a ripper of a show if it toned up and got rid of the flab. Sexercise is a new…

11 years ago

Adelaide Festival: Tommy

Tommy was first conceived and recorded by the 23 year old Pete Townshend in 1968. It has now been re-conceived…

11 years ago

Adelaide Festival: riverrun

riverrun was inspired a few years ago by a Bloomsday reading of the final page of James Joyce’s last novel,…

11 years ago