A woman, a bath. Maureen O’Hara Spends a Quiet Night At Home, playing at the Judith Wright Centre, is a…
Arthur Miller's The Crucible was my favourite play when I was 17 and, along with Lillian Hellman, Miller was my favourite playwright.…
Margaret Atwood’s The Penelopiad is a confronting and humorous account of Penelope, a bit player in the epic Odyssey. Famous…
Young independent company Attic Erratic started performing and working together in 2010 and are well on their way to being…
Michelle Nightingale’s Born To Run played to a sold-out audience in the Artspace Theatre, despite being programmed on the same…
Phil Scott crawls onto the stage as a shipwrecked sailor might crawl onto a beach looking around in awe saying,…
Thomas Pender was 23 when he took his wife and baby on a dangerous 126-day sea voyage to Australia. People…
Anything goes at the Cabaret, and Hans likes to stretch the limits of this ethos to its glitziest extents. Hans…
The 2013 Adelaide Cabaret Festival has drawn to end. After three glorious weeks of high quality entertainment, the anticipation and…
I have a theory. Composers should not be allowed in front of a microphone. Not because they are terrible performers,…