Sprawling dystopian fiction has always had a place on our stages—just look at George Orwell’s 1984 or Margaret Atwood’s THE…
No one conjures dance-theatre experiences quite like Matthew Bourne. His New Adventures company has been reimagining classics for decades—SWAN LAKE,…
The Troubadour Canary Wharf Theatre, scheduled to open this autumn, is no ordinary space. If you’re imagining a traditional proscenium…
MAYBE HAPPY ENDING isn’t your typical boy-meets-girl narrative. It’s more like robot-meets-robot—though I promise, the result is far more heartfelt…
RADIANT BOY has already garnered early attention by earning a spot in the Royal Shakespeare Company’s 37 Plays competition in…
I’ve often pondered what it takes to remain a West End fixture for over two decades. Is it the vibrant…
First things first: if you’ve never seen an Ibsen play, GHOSTS is arguably the best place to start. Originally premiered…
Sceptical about blending Shakespeare and Radiohead? Don’t be. The concept alone is enough to pique the curiosity of even the…
In the UK, pantomime is more than a seasonal diversion—it’s an institution. From grand spectacles in major cities to charming…
BLUE MOON isn’t your typical biopic. Rather than trotting through Rodgers and Hart’s entire back catalogue, the film zeroes in…