Columns

Musical Mondays #10

Welcome back to Musical Mondays! In case you’re new here, this column is a peek into the depths of the…

6 years ago

How will public risk perception dictate the remobilisation of Australian theatre

Risk perceptions are defined as an individual's subjective beliefs about the characteristics and severity of a risk. These beliefs make…

6 years ago

Will streaming replace live performance?

There is definitely an argument to be made for live streaming rather than live performances. But will we end up…

6 years ago

Are young people the key to the economic recovery of live theatre?

Historically, theatres have the reputation of being a place where the elite would gather to be entertained; a place to…

6 years ago

The grave reality of underfunding the arts sector is hitting the global theatre scene

As the coronavirus pandemic continues to devastate the economic landscape around the world, theatres and production companies are falling like…

6 years ago

The Composting Costumier talks Ecoscenography with Tanja Beer

This interview took place on the Woirworung land of the Kulin Nation. I acknowledge the Australian Aboriginal and Torres Strait…

6 years ago

How can we stand in solidarity with Australian theatre performers during this pandemic

Everyone loves a good show. The buzz that is going on back stage, just before the start of a production,…

6 years ago

Systemic Racism exists within theatre. It’s time to talk about it!

In the past month, we have seen national protests about human rights and deep-rooted racism. We have seen countless black…

6 years ago

Musical Mondays #9

Welcome back to Musical Mondays! In case you’re new here, this column is a peek into the depths of the…

6 years ago

Why is it important to up-skill whilst theatre’s are dark?

The complete lockdown shook the ground under our feet. It left many stuck at home, robbing us from our day-to-day…

6 years ago