Sonny Clarke

Opera in the Reservoir

Opera in a big house can be distancing for an audience sitting three hundred seats away, squinting themselves blind for…

11 years ago

Review: The Seagull – QTC

How do you take a work that is comfortably described as sociology; accused by some of being a tad dull;…

11 years ago

What’s on for Queensland Symphony Orchestra 2016

I am always surprised at just how excited I am at the launch of a new Queensland Symphony Orchestra (QSO)…

11 years ago

The Stance – Slipstream Festival of Time Based Art

There are some seriously innovative creative happenings going on in Brisbane at the moment and King George Square was one…

11 years ago

The Untouchable Juli

Something sensational is happening in Ipswich; a cultural revolution of sorts at the hands of independent theatre company Fractal Theatre…

11 years ago

Review: Medea at La Boite

A gothic chorus softly sings and chants. It’s dark and ominous, there is a large circle of candles at various…

11 years ago

Enoch Exits QTC bound for Sydney Festival

After five ground-breaking years at the helm of Queensland Theatre Company (QTC), the much loved and respected Wesley Enoch has…

11 years ago

Review: My Love has a Black Speed Stripe

“Love me, love my Holden. I laid that on the line to the missus before we were spliced.” Perhaps a lost…

11 years ago

Review: Samson by La Boite Theatre

Samson was developed by emerging playwright Julia Rose-Lewis during her Artist-in-Residence at La Boite in 2013 and is currently in…

11 years ago