Peter J Snee

A One-Woman Revolution with the Audience as Co-Conspirators

Australia’s undisputed Queen of Burlesque is back, and she is inviting audiences to do far more than watch. Imogen Kelly,…

9 months ago

EXXY and the Hidden Cost of Being Exceptional for Dan Daw

In EXXY, Dan Daw turns the cost of excellence into both a spectacle and a reckoning, exposing the hidden exertions…

9 months ago

Change Happens Through Shared Joy – URSULA YOVICH SINGS NINA SIMONE

Ursula Yovich has never been an artist who slips quietly into another person’s voice. When she steps into the world…

9 months ago

Natalie Abbott Explores Grief as a Bridge in BAD HAND

Grief often begins in silence, in the private rooms where language falters and the world feels suddenly unfamiliar. For Natalie…

9 months ago

Virginia Gay Discusses the Ideas, People and Moments that Shaped MAMA DOES DERBY

In MAMA DOES DERBY, the crackle of roller skates meets the emotional charge of a mother and daughter rebuilding their…

9 months ago

Bringing Home Alone To Life In Concert With Nicholas Buc

Few Christmas films have earned the level of affection that HOME ALONE continues to inspire, and at the heart of…

9 months ago

Inside Lisa McCune’s Whirlwind Journey of THE 39 STEPS

It’s been hailed as a masterclass in theatrical sleight of hand: four actors, around 130 characters, and a runaway spy…

12 months ago

BATSHIT, Leah Shelton On Agency and Control

BATSHIT is Leah Shelton's darkly funny exorcism of control, surveillance, and the word crazy. If you removed every line of…

12 months ago

First Nations Voices, The Tina Legacy, A Local Love Letter

Before the sequins and stadium chorus, there was a teenager at the Darwin Amphitheatre in 1993, eyes wide as Tina…

12 months ago