Jeannette Delamoir

An ex-Queenslander and former academic, Jeannette has also managed a three-screen arthouse cinema in upstate New York, sold theatre tickets in London, and baked brownies at a cafe called Sweet Stuff.

Review: Kinski and I, Sydney Fringe Festival

German actor Klaus Kinski (1926-1991) was an emotionally unstable, self-proclaimed sex addict. His autobiography recounted, in gleeful detail, his appallingly…

10 years ago

Sydney Fringe: Slut

Slut is a short and snappy Fringe Festival contribution, directed by Natarsha Wrensted who has melded a great ensemble from…

10 years ago

Review: Brandenburg’s French Baroque with Circa

This inspired program is something very special. It brings together the Australian Brandenburg Orchestra, French soprano Claire Lefilliâtre, and seven members…

10 years ago

Review: Ghost Stories, Sydney Opera House

Really, there’s not a lot I can say about this play. Not because I can’t think of anything to say, but…

10 years ago

Review: Bajazet, Pinchgut Opera

There’s no doubt that audiences are challenged by double-crosses and deceit of the story told in Vivaldi’s opera Bajazet. But…

10 years ago

Circa and Brandenburg Orchestra: Music takes flight

It seems at first like an improbable idea, combining circus with the courtly music of the Baroque era. Sure, circuses…

10 years ago

Review: Like Me, Mongrel Mouth

Like Me, a Mongrel Mouth production directed by Duncan Maurice, is strange. Grotesque. Unnerving. Disorienting. Confronting. And it’s all around me.  …

10 years ago

Review: Triassic Parq, Seymour Centre

“A community in crisis leads to doubt,” the dinosaurs sing. And—they tell us—doubt leads to chaos. As the singing, dancing…

10 years ago

Pinchgut presents Bajazet: Australian première of 1735 opera

We can be fairly sure that Baroque composer Antonio Vivaldi wasn’t completely happy with his opera Bajazet in the weeks…

10 years ago